music and its dance ~ an Africa-centered s/hero's journey perspective

Archive for the ‘Oral Aesthetics’ Category

Hymns to Amun

~ HYMN TO THE GOD AMON-RA ~ 
from the Boulaq Papyrus (XVIII Dynasty, 1552-1295 BCE)

“Praise to Amon-Ra
The Bull of On-Heliopolis, Prince of all the Gods,
The Good and Perfect God, the Beloved One, (more…)

UbuNtu ~ On Owning Your Masters


“If you don’t own your masters, your masters own you.” On his B’Earth’Day [June 7th] in 1993, Prince changed his name to the unpronounceable Love Symbolof his recently released 14th studio album following disagreements with Warner Brothers [WB], the label which originally signed him in 1977. It was a public act of rebellion against WB’s restrictions over him and his prolific creativity. Likening their contractual relationship to one of indentured servitude or slavery, Prince explained: (more…)

Mazisi Kunene ~ Creative Power

Mazisi Kunene – freedom fighter, literary icon, Africa’s poet laureate, and South Africa’s first poet laureate – was born in Durban, in the modern-day province of KwaZulu-Natal on May 12th, 1930. Kunene championed African oral traditions, conveying their inherent value in his writings which were originally in Zulu before being translated into other languages. (more…)

Panther ~ Black Rite-of-Passage

“Great, another broken white boy for us to fix!” One of several funny lines from Black Panther delivered by Shuri in reference to CIA Agent Everett Ross. “What the hail!” My line when I left the theater on President’s Day with mixed feelings about the movie, but mostly about the droplets of ice which had just begun falling from LA’s South Bay skies onto my African head-wrap. Was this a sign? Movie promos had gone hard with Gil Scott Heron’s classic The Revolution Will Not Be Televised, I mused while trying to extract pieces of the odd weather from my son’s fro for inspection. But why not build a strategic alliance between African cousins rather than having T’Challa, in true bourgeois liberal fashion, make a Wakanda charity-case out of Killmonger’s Oakland after the fact? Mom, it’s not your story… Huh?!  (more…)

Seshat ~ Opener of Heaven’s Door

In African oral tradition we have a communication concept surrounding the power of the word to generate and/or aesthetize life. In BaNtu culture, this is referred to as Nommo. This same concept in Khemet was referred to as Hekau – “words of power” which were key to the alkhemical authority of god-as-magician. Often viewed as the female version of Djehuti (Khemet’s god of magical arts and foremost scribe of the gods) goddess Seshat accompanied Khemet’s widowed Queen Auset in guarding murdered King Ausar‘s reconstituted and mummified corpse to ensure that he would go on to become God of the afterlife. (more…)

Gods, Muses & the Summum Bonum

Ausar, god of the afterlife whom many believe holds the seven heavenly stars in his glorified form in the Hunter constellation, was said to have had a great passion for song and dance during his popular reign in Kemet. So much so that he recruited several African Muses to accompany him on a tour to teach the legendary Nile Valley arts of cultivation throughout Asia and Europe, and always had a troupe of musicians back at his court. These Muses became Goddesses in Kemet, but the later Greek conquest of Ausar’s kingdom led to their colonial conversion and subjugation under Apollo Musagete – “Apollo, Leader of the Muses” – of the Olympian world. (more…)

KuNtu: A Well-Painted Home

I didn’t grow up a comic-book super-fan (more like occasional reader), nor grew to become enticed by Hollywood’s silver-screen adventures of super-heroes from the big-3 comic-book universes: Marvel, DC, and X-Men. Marvel’s recently-released trailer for the Black Panther movie (set for release on February 16th, 2018) may just have changed all that. (more…)

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