Divine Motherhood ~ “The Womb of Time”

SKIPPER’S LOG / ANCESTRAL ENTRY DATE: May 4, 2016 May 12, 2024 [Gregorian]

~ “WISDOM HATH BUILT HER HOUSE…” ~ [Pr. 9]

In every vital activity, it is the Path that matters… The seed includes all the possibilities of the Tree. The seed will develop these possibilities, however, only if it receives proper nourishment and corresponding energies from the Sky… A nut doesn’t reveal the Tree it contains… Always watch and follow Nature.” ~Proverbs from Ipet-Resyt [“Southern Sanctuary”] of God Amun & Goddess Mut

 Blessed Be 

A SaNgoma & Her Healing Path

The New/Golden Era is dawning! According to Age of Aquarius holdouts, this New/Golden Era will usher in a high-frequency, holistic unity-consciousness between human beings, & nurture an optimal co-dependent relationship with  the organic environment as disclosed in the 1969 song by The 5th Dimension. Jumping onto this bandwagon, seasoned New Age scholars, Astrologers, Alchemists & other well-meaning hopefuls go further to suggest that this anticipated disclosure/salvation has & will come from some outer-space resource. Some have even gone so far as to promote the widely published Galactic Codex of the Confederation of Light (so-called) whose purported “legal basis” and stated aim is to liberate our “hostage” planet Earth from its resident evil “dark forces.” From an Africa-centered perspective, all of this revisionist Savior-interventionist posturing continues to ignore indigenous wisdoms that were encoded way before the particularly egregious latter-day unleashing of Eurocentric enactments of slavery, colonialism, and apartheid campaigns which have time & again provided existential proof of the inherently toxic flaws/evils/hypocrisies of their antithetical alien intentions. Read More

“Cleopatra’s Needles” & Kings of the North

“Cleopatra’s Needles refer to an ancient pair of Tkhn  [obelisks] which were originally constructed and inscribed for 18th Dynasty Pharaoh Tuthmose III [1504-1450 BCE] at his Temple of the Sun in Heliopolis. These Twin Tkhn, which have their sacred place in a seminal & yet-unfolding Africa-centered narrative, were moved c1400 years later to the Caesareum temple in Alexandria Egypt built by Cleopatra VII during her reign [51-30 BCE]. The Tkhn were renamed for Cleopatra during the subsequent Roman takeover, & remained installed in Alexandria for almost 2 millennia. Described in Scottish painter David Roberts‘ travelogue ‘Egypt and Nubia as the most striking monuments of ancient Alexandria, “Cleopatra’s Needles” later became geographically separated between London & New York where they were shipped and re-erected in 1878 & 1881 respectively.

With “Cleopatra” as its ongoing sideshow, the world has since become entangled in a profane Europatriarchal web of Gregorian-curated timelines, principals, narratives & agendas… an interwoven industrial “world order” staged around the indoor-outdoor museums of “her[?] needles.” Humanity may ascend out of this shadowy 3D matrix system by recentering the Twin Tkhn of Pharaoh Tuthmose III at their original settings, thereby (i) gaining an Africa-centered lens into humanity’s organic/indigenous space-time & unity-conscious cultural agency; & (ii) exposing hegemonic histories & world-views fabricated & upheld around Cleopatra’s Needles standings in latter-day “East-West/E-W coordinates & meridians: Read More

Queens of the South & the Mandela Effect

SOUTH” is the entry point (Genesis) on The Medicine Wheel… the first of four cardinal directions and steps one takes to obtain wisdom and power in order to become the equivalent of a sangoma (shaman) who brings harmony and well-being to the community & humanity. Honoring the circular pattern of our cosmos, The Medicine Wheel has been used in indigenous cultures for eons to represent the organic cycles of life/nature within the womb of time – thus honoring Divine Feminine Mysteries and their potential. Following the four cardinal directions, the would-be sangoma proceeds clockwise on The Medicine Wheel to the “WEST” (land of sunsets & introspection); followed by the “NORTH” (where knowledge & wisdom have flowered in relation to “SOUTH”); & finally “EAST” – land of the rising sun where, through the successive challenges and phases of her journey, she has now obtained her own sovereign terms of enlightenment (Revelation). Read More

“For a seed to achieve its greatest expression, it must come completely undone. The shell cracks, its insides come out and everything changes. To someone who doesn’t understand growth, it would look like complete destruction…” While butterflies symbolize… Read More

Dawn ~ Unbreaking THE Egg

MA’ATADOR3

I often think of African space-time as a dancefloor because I resonate with the motherland’s oral traditions in a particular way when I’m exploring and navigating Her southern hemisphere frequencies within the global arena. I’m most grateful to those cultural custodians who’ve carried me on wings of song, connecting me and the human family at large to our soul level, unity-conscious energies of UbuNtu. It has been life-affirming to experience Ascension to timelines where I’ve been met by my guides through the Alkhemy of our ancestral call-response energies in the Drum Circle I innerstand as the BaNtu Waltz. Without losing a beat or step, we’ve even managed to transform heavier energies which pulled up with ill-begotten agendas to turn our ballroom into their bullring – a plaza de toros where two or more got to Tango… ‘nthen some! Read More

REENTRY ’23: Hwt~Hr

SKIPPER’S LOG ENTRY DATE: January 13, 2023 [Gregorian] <=> January 5, 2015 [Ancestral] STARPORTAL MISSION: Restoring humanity’s navigational settings to their organic space-time co-ordinates @ Earth’s Ma’atrix… Temple of the World… The Womb of Time… Hwt~Hr… in accordance with the following data:

  • Hwt-Hr ~ in the most ancient Africa-centered sense means House or Mansion of S/Heru… everywoman’s Divine Womb where human lives are seeded, gestated, & eventually born into the 3D Circle of Life through Hwt-Hr‘s Portal. This evolutionary outcome is the first in a series of S/Hero‘s Journey cycles through Mysteries & Portals that this newly created Life will yet encounter. For chosen primordial beings of light, these Journeys will be about merging, remembering, awakening, ascending, reactivating, & completing their soul’s mission in this particular 3D sojourn. So, if in review 2022 felt like Humanity collectively reached a point of critical mass on key levels of consciousness, it was likely Mother Earth’s preparation, through these primordials, for 2023… A Year of re-Entry.
  • Hathor [Hwt-Hr] is such a being whose name and Goddess characteristics were originally ascribed in Kmt (ancient Egypt) where there are 3 profoundly related aspects to Her worship:
  • (1) As Goddess of Music, Dance, & Beauty Hwt-Hr was referred to as: “Bearer of the SistrumQueen of the Dance… Mistress of Music… Queen of Harp Playing… Lady of the Choral Dance… Mistress of Inebriety Without End… The One Who Fills the Sanctuary with Joy… Lady of Fragrance… Lady of the House of Jubilation… Hathor’s priestesses and priests were musicians and dancers whose rituals of worship entranced & entertained as they filled the sanctuary with the sounds of song, drumming, & various other instruments such as lyres, pan-pipes & sistrums – rattles that were sacred to Hathor. The sistrum‘s rattle, which reportedly sounded like “the cackling of geese or the rustle of papyrus flowers,” helped create a sonic shield of protection against wrathful deities such as Set.
  • (2) As Goddess of Fertility, Children, Birth, & Women Hwt-Hr was referred to as the Goose that laid the Golden Egg… Milk of Life… Celestial Nurse…” As such, she was regarded as the fertility aspect of Auset – wife of King Ausar who was murdered & mutilated during his jealous brother Set’s evil coup of Heaven-on-Earth’s throne. The pieces of Ausar’s body were scattered in the “wilderness” [aka the colonized African Continent & its Diaspora], the 14th of which is symbolized in the ancient Tkhn and remains key to humanity’s unresolved Mystery that widow Auset must reconcile in Her Shero’s Journey & role as Divine Seeker. Auset’s posthumous conception of their son Heru/Hero (who grew up to avenge his father & reclaim Kmt’s throne in this archetypal narrative) was translated in biblical text as the immaculate conception of Christ.
  • (3) As Goddess of the S/Hero’s Journey, Foreign Lands, & the Circle of Life Hwt-Hr was referred to as Lady of the Sycamore of the South… Lady of the West (direction of the setting sun/‘death’)… Mistress of the Necropolis… Lady of the Tomb… She who is Adorned with Stars…” As “Lady of the Sycamore of the South,” Hathor used milk from Her Mother Tree to restore sight to Heru after one of his bruising battles against antagonist Set (usurper of Ausar’s Heaven-on-Earth throne). “His eyes are as the eyes of doves by the rivers of waters, washed with milk & fitly set.” [SoS 5:12 KJV]. A spell in the Book of the Dead names the Seven Hathors – AKA 7 Sisters or Pleiades star system – of the Taurus Celestial Herd/constellation. The 7 Hathors are said to question & assist the soul’s Circle of Life journey, which is accompanied in death by the sky-bull [Ausar/Taurus] who’s joined the Hathors in their cow form. Hathor “Lady of the West” appears on sarcophagi as Portal & Protector in the great beyond.
  • Hathor’s epithets & symbols are consistent with the deepest Mysteries of Africa’s oral-aesthetic traditions in which “music” (enhanced speech) is understood to act as nommo the generative power of the word… the seed. As such, orality represents the masculine co-creative agency of Heru the Elder (Hathor’s Divine Masculine counterpart), who depends on the Divine Feminine’s regenerative resources in His grand progression & evolution through Life’s circle.
  • Referred to as The Womb Of Time, Hathor’s temple at Dendera on the west bank of the sacred Nile River is where the Goddess is worshipped as the personification of feminine love, joy, & sensuality in Her conjoined roles as spouse, lover, divine womb, life portal, & nurturing mother. Facing the direction of the Nile-Star & Spiritual Sun Sopdet’s rising, Dendera Temple itself was a nourishing space for healing, learning, & birthing. It housed a sanatorium with magic bathing waters & a sacred well; labs where ceremonial perfumes were concocted; a papyrus library; a birthing place; & chapels devoted to the mythologies of Auset~Ausar~Heru
  • Rising from the earth/floor & holding aloft the heavens/ceiling, Dendera Temple’s pillars symbolize the shaft of the sistrum – Hathor’s sacred instrument. Atop each pillar is Hathor’s face, portrayed symbolically as the womb/uterus – the Divine Feminine’s co-creative organ – its fallopian tubes depicted as elongated ears through which she receives sound… word… seed… nommo. As co-manifestor, Heru – who helps frame & uphold the heavens per the Dendera Zodiac [right] – is master-musician to Hathor, each Divine co-creator highly attuned to the other’s freequency [UbuNtu] & subsequent resurrection modalities of their celebrated Re-Entry
  • Similar to the annual Feast of Opet that was staged between the southern and northern sanctuaries on the Nile’s east bank of God/dess consorts Amun-Re/Mut was the ‘Beautiful Feast of the Reunion’ (Hab Nefer en Sekhen) between God/dess consorts Heru/Hathor. The name Hwt-Hr (‘mansion of Heru’) became fully illumined through the fertility rituals surrounding their annual conjugal visit & Reunion Feast which entailed Hathor being sailed upstream on the Nile River from Dendera to Heru’s Temple at Edfu, also on the west bank, accompanied by a mix of musicians & other creatives who were priests of the goddess. Celebrations surrounding Hathor’s arrival included offerings of myrrh, aromatics, & sistrums (her sacred instrument) as well as hymns encouraging her to unite with “He of Dappled Plumage.” Harvest-related elements included offerings to the Divine Ancestors; the ritual harpooning of a red hippopotamus [representing enemies of the state – Set]; & the release of 4 geese (Hathor’s sacred bird) on the 2nd day of the feast to bear the news that Heru had received the Double Crown.
  • The Double Crown, called pschent or sekhemty (the ‘Two Powerful Ones’) was worn by ancient leaders of Kmt to symbolize the unification between South/Upper & North/Lower kingdoms which, in current pan-African space-time refers to earth’s southern & northern hemispheres. In Kmt the white Hedjet & red Deshret crowns were symbolic of South & North respectively, denoting a productive unification between Divine Feminine & Masculine – the ‘Two Powerful Ones’ – which the ankh also conveys as the Key of Life. As Divine God/dess Counterparts, each represents complementary co-creational forces that explain & necessitate each other and – from their higher vibration – inform & uphold the structure & harmonious workings of the universe. Indeed, following the close of the Edfu festivities, Hathor traveled back to Dendera, gave birth to Heru’s fully formed seed, their child who was portrayed as a naked sistrum player & celebrated as God Ihy or alternatively as Heru-Sema-Tawy.
  • Sema (“Speak/Say!” in Swahili) means ‘to unify’ & Tawy means ‘the Lands.’ Nommo/seed (masculine) planted in the lands (feminine) is understood as UbuNtu in Africa-centered unity-conscious oral-aesthetic modes of creation, expression, & social evolution. The unification of South & North Kmt that began in the Early Dynastic Period under Pharaoh Menes aka Narmer in 3100BCE used the distinct Sema-Tawy symbol of a human trachea/windpipe rising from the heart chakra entwined with the lotus (South) & papyrus (North). The Double Crown represented a leader’s consciousness of & promise to uphold the constitutionality of that arrangement during their rule. Narmer‘s was the first of 30 successive dynasties which ruled & maintained civil order through a centralized government from the unified capital of Men-nefer or Memphis.
  • Hwt-Hr/Hathor’s depiction as the Goose that laid the Golden Egg shows a lotus plant wrapped around Her neck. The lotus plant symbolizes the Nile’s southern source & humanity’s womb in the sentient heart of Africa whose gifts, transported on the sacred river’s northward flow, facilitated the flowering of ancient Egypt & Mysteries of Life, Death, & Resurrection that were documented on papyrus scrolls & taught in temples. As ‘Lady of the West’ it’s of no small significance that both Hathor & Heru’s temples are on the west bank of the sacred river where royal burial sites [pyramids, Valley of the Kings, Necropolis of Thebes…] are strategically located. The sun’s eastern rising & western setting was seen in relation to the sacred Nile River Ma’atrix as the world’s Womb of Time/Prime Meridian within whose grand design Humanity’s Axis Mundi, Mysteries, Navigational Settings, True Compass [N-S-E-W], Divine Order, & Constitutional Balance are encoded… ‘As Above, So Below.’
  • Of this grand design, God Djehuti asks: “Art thou not aware that Kmt is the image of heaven, or rather, that it is the projection below of the order of things above? If the truth must be told, this land is indeed The Temple Of The World…” These ancient lands where monomyths, god/dess archetypes, protagonists & antagonists alike assumed their original narrative form, remain embedded within our collective S/Hero’s psyche as we Journey through the south-north hemispheres of life’s expanded theater.
  • Djehuti went on to lament a time when this Temple of the World – the Nile Valley Ma’atrix – would be forced out of its sacred alignment with the Heavens, becoming “filled with strangers [&] widowed of the Gods…: To thee I cry, O most sacred River, to thee I announce the coming doom!… [Kmt]/Egypt, once the holy land beloved of the Gods and full of devotion for their worship, will become the instrument of perversion, the school of impiety…”
  • Set (antagonist… God of the desert, foreign oppression, storms, chaos, disorder, perversion, & violence), came at the Temple of the World as prophesied, with comprehensive & devastating European agendas of slavery, colonialism, apartheid… all racist & misogynistic enterprises that plundered & scattered Africa’s human, natural, cultural, & spiritual resources, and misaligned humanity’s organic space-time settings around a Europatriarchal axis & false matrix.
  • At the doorstep of a new Gregorian year where (amongst other places) the chickens are home roosting, we’ve become enlightened about certain “facts” that fail to add up – such as the Eurocentrically designated year of “2023.” Today, January 13th, 2023 is the Gregorian/Catholic version of January 5th, 2015 on the ancestral calendar of the Orthodox Tewahedo Church of Ethiopia – the one African country that European powers gathered at the racist 1884 Berlin Conference [aka Europe’s ‘Scramble for/of Africa’] failed to colonize as an add-on to slavery.
  • According to expert scholars, the critical difference between the two religious calendars has to do with their divergent calculations & narrative regarding ‘THE ANNUNCIATION’ – originally recorded in the throat area of Ipet-Resyt [click picture for video link @1:17:20] – God/dess Amun/Mut’s Southern Sanctuary” in humanity’s Temple of the World. Following their interpretation & appropriation of this ancient Mystery, the Roman Catholic annunciation became a visitation between ‘Angel Gabriel’‘Mary,’ & the official Gregorian calendar reset of global space-time around her ‘virgin birth’ to ‘Jesus’ – calculated to make “all roads lead to Rome.” Ironic then that Italy was unable to colonize Ethiopia, making her Africa’s oldest independent country.
  • Another major glitch of the matrix space-timeline is the 1884 International Meridian Conference recalibration of “point-zero longitude” to Greenwitch [GMT], over 30 degrees west of humanity’s organic Prime Meridian & equatorial source. The point at which zero degrees latitude & longitide should intersect is not over the Atlantic slave trade route, but over the body of water misnamed for the Grandmother of Europe who presided over her country’s continued craven ‘Scramble for Africa.’ Victoria – whose length of reign as Britain’s monarch [1837-1901] was surpassed only by great-great granddaughter Elizabeth II [1952-2022] – is ancestor to Charles III [coronation May 6, 2023, Gregorian] & William who inherits his colonial sense of entitlement to Africa as Britain’s future monarch. Meanwhile, KC3 & company will continue the fancy costume show with its bedazzling collection of “official” family wealth (pillaged & other) as he presides over GMT & a shrinking Commonwealth – vestiges of a gluttonous & deceptive Eurocentric space-time matrix.
  • Unattended wounds on Humanity’s womb bear the family names of Her colonial violators: ‘Victoria… Albert… Edward… George…’ Substituting these names with those of African dictators who subscribe to Set’s same playbook simply compounds the problem. Lake Mobutu Sese Seko is a non-starter as a post-colonial reclamation of Lake “Albert” – originally Lake Mwitanzigewhich, like Lake “Edward” (locally Rweru), lies on the nonsensical colonial divide between Uganda & Democratic Republic of the Congo. Lake “George” (originally Lake Katunguru) lies in a National Park that remains named for Elizabeth II [queen since 1952] over 60 years after Uganda’s independence from Britain in 1962, the last 36+ years presided over by the 9th & current post-colonial President Yoweri Kaguta Museveni [1986-].
  • Set’s Victorian teat has made sleeping giants of us all, dispensing propofol even as sentient Mother Earth expresses Her displeasure through global warming & other organic disorders. Nchi za Maziwa Mkuu Swahili meaning Countries of the Great Milkrecalls Djehuti’s Temple of the World reference to Nile Valley lands as earth’s reflection of Heaven’s Milky Way. Known in Tanzania as Nyanza & in Kenya as Nam Lowe (both local names meaning Body of Endless Water), Uganda’s original name for the southernmost sacred womb of the Nile River is Nnalubaale (meaning Home of the Gods). And in the Bunyoro kingdom directly north of Toro where Lake “Albert” is located, the hereditary Royal title, Omukama, literally means supreme milk-bringer or alternatively King of kings.’ This primordial wisdom is encoded in African folklore, geography, & astronomical bonds… cultural DNA that humanity can no longer afford to remain colonized at Her equatorial wellspring.
  • The Nile is earth’s longest river, traveling well over 4,000 miles northwards through 11 African countries – Nchi za Maziwa Mkuu: Kenya; Tanzania; Uganda; Rwanda; Burundi; DR Congo; Ethiopia; Eritrea; South Sudan; Sudan; & EgyptKhartoum, Sudan is where the White Nile meets the Blue Nile (sourced by Lake Tana in Ethiopia) to flow as one sacred river towards the Mediterranean Sea. Its southernmost womb is also source to the Congo River Basin whose waters flow into the Atlantic Ocean. Linked in BaNtu mystery, memory, & song as The Drinking Gourd – a coded astronomical reference which directed enslaved Africans towards freedom on America’s Underground Railroad – the cultural practice of water drumming came into being in this complex river basin. 
  • Most of humanity have been misled into a profound sense of isolation, alienation, & disorientation because of Set’s [prophesied] hijacking of Heaven-on-Earth relationships from the Temple of the World, Ma’atrix, and Womb of Time. The Dendera Zodiac, stolen from its original ceiling location in Goddess Hathor’s temple, confounded France‘s best scientists, astronomers & mathematicians regarding celestial events within the constellations depicted on the artifact, including the movement of SopdetHathor’s Nile Star. The church was troubled by the probability of the Dendera Zodiac being thousands of years older than the biblical “creation” date, a concern compounded by the original ‘ANNUNCIATION’ recorded in the throat area of Ipet-Resyt [now Luxor Temple]“the southern sanctuary” to Ipet-Isut [now Karnak Temple] – God/dess Amun/Mut‘s northern sanctuary whose name means “the most select of places.” 
  • Sheru’s CALL: “Make haste, my beloved…” [SoS 8:14] #NAKUMBUKA #UBUNTU
  • Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?… [SoS 6:10] Return, return, O Shulamite; return, return, that we may look upon thee… [SoS 6:13]
  • “Only the black woman can say ‘when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole …race enters with me.” [Dr. Anna Julia Cooper, 1892]
  • Heru’s RESPONSE: “Behold, I come quickly; hold that fast which Thou hast, that no one take Thy Crown” [Rev 3:11]
  • STATUS: Standing by for Re-Entry… #13O31… Blessed Be  

Blessed Be…

♥♥♥

“A Blessing on a Home” [from Blessed Be]