“When the moon is in the 7th House… And Jupiter aligns with Mars… Then peace will guide the planets… And love will steer the stars… This is the dawning of the Age of Aquarius…” [Lyrics from “Age of Aquarius” by the 5th Dimension, 1969].
Humanity is said to be currently moving to its new astrological Age – an event which happens roughly every 2,000-plus years. We’re living through a transitional period (more…)
Born in 1803 and orphaned at age 5, Maria W. Stewart was an American domestic servant who became a teacher, journalist, abolitionist, lecturer and women’s rights activist. She urged “daughters of Africa” to reject the negative images of Black womanhood that were/are so pervasive, but to instead possess the power of self-definition. In an 1833 speech, Stewart said: “Like King Solomon, who put neither nail nor hammer to the temple, yet received the praise; so also have the white Americans gained themselves a name, like the names of the great men that are in the earth, whilst in reality we have been their principle foundation and support. We have pursued the shadow, they have obtained the substance; we have performed the labor, they have received the profits; we have planted the vines, they have eaten the fruits of them.”
Queen Nyabingi is one of several likely inspirational fonts for Marvel’s comic book renderings of Wakanda’s Dora Milaje, an elite group of female bodyguards who will soon be slaying on the silver screen [2/16/18] in Ryan Coogler’s directorial rendition of Black Panther – the movie. Though fictional, Marvel’s African kingdom of Wakanda is geographically situated around the source of humanity’s genesis, which happens to be where the legendary Nyabingi greatly impacted history as well as our pathways to a pan-African consciousness. A real-life fusion of warrior-queen archetypes that arose in the ancestral Nile River mythologies of Khemet, Goddess Nyabingi’s spirit also lives in the diffusion of beats and flows that birthed hip-hop in today’s diaspora. (more…)
In African oral tradition we have a communication concept surrounding the power of the word to generate and/or aesthetize life. In BaNtu culture, this is referred to as Nommo. This same concept in Khemet was referred to as Hekau – “words of power” which were key to the alkhemical authority of god-as-magician. Often viewed as the female version of Djehuti (Khemet’s god of magical arts and foremost scribe of the gods) goddess Seshat accompanied Khemet’s widowed Queen Auset in guarding murdered King Ausar‘s reconstituted and mummified corpse to ensure that he would go on to become God of the afterlife. (more…)
I didn’t grow up a comic-book super-fan (more like occasional reader), nor grew to become enticed by Hollywood’s silver-screen adventures of super-heroes from the big-3 comic-book universes: Marvel, DC, and X-Men. Marvel’s recently-released trailer for the Black Panther movie (set for release on February 16th, 2018) may just have changed all that. (more…)
Hwt-hr is the Kemetic version of Hathor, meaning ‘Mansion of Heru.’ Indeed, as Heru’s divine consort, Hathor is regarded as the sky in which he – as the sun god and “Djedi Sky Walker”/ Dancer – dwells. Hathor is worshipped as goddess of music, dance, beauty, fertility, childbirth, women, children and foreign lands who personifies feminine love, joy, motherhood, and nature in general. Women particularly aspired to embody this deeply loved goddess’s conjoined roles as wife, mother, and lover which gained Hathor the titles of ‘Lady of the House of Jubilation’, as well as ‘The One Who Fills the Sanctuary with Joy’.
“Sky God… God of Hunting… Warrior God… Lord of the Horizon… Divine Falcon… He who came forth from Hapi [Africa’s Nile God]… Dweller in Sopdet [Star of Auset]… God of Kingship… Heir of his Father…” are some of the epithets ascribed to Heru, one of Africa’s most storied gods of salvation. Heru‘s hunting prowess is represented in the falcon or hawk whose right and left eyes respectively denote the sun and moon; and who is said to hold the stars in his speckled feathers as his wings create the wind. The circumstances of Heru’s placement in the Holy Trinity which includes Ausar (his father) and Auset (his mother), and his triumphant role in the battle against evil [Set]