MALAIKA MUTERE

Archive for the ‘Pop Music’ Category

“Towards a Transformation Communication Theory: UbuNtu, Prince, and the Oral-Aesthetic Perspective”

“Towards a Transformation Communication Theory: UbuNtu, Prince, and the Oral-Aesthetic Perspective” was recently published in The Journalist SA. To read the article, click here: http://www.thejournalist.org.za/academic-papers/towards-a-transformation-communication-theory-ubuntu-prince-and-the-oral-aesthetic-perspective

UbuNtu ~ On Owning Your Masters


“If you don’t own your masters, your masters own you.” On his B’Earth’Day [June 7th] in 1993, Prince changed his name to the unpronounceable Love Symbolof his recently released 14th studio album following disagreements with Warner Brothers [WB], the label which originally signed him in 1977. It was a public act of rebellion against WB’s restrictions over him and his prolific creativity. Likening their contractual relationship to one of indentured servitude or slavery, Prince explained: (more…)

Water Bearers & New Age Libations

“When the moon is in the 7th House… And Jupiter aligns with Mars… Then peace will guide the planets… And love will steer the stars… This is the dawning of the Age of Aquarius…” [Lyrics from “Age of Aquarius” by the 5th Dimension, 1969].

Humanity is said to be currently moving to its new astrological Age – an event which happens roughly every 2,000-plus years. We’re living through a transitional period (more…)

Nyabingi ~ Oracle of the Drum & Warrior Queen

Queen Nyabingi is one of several likely inspirational fonts for Marvel’s comic book renderings of Wakanda’s Dora Milaje, an elite group of female bodyguards who will soon be slaying on the silver screen [2/16/18] in Ryan Coogler’s directorial rendition of Black Panther – the movie. Though fictional, Marvel’s African kingdom of Wakanda is geographically situated around the source of humanity’s genesis, which happens to be where the legendary Nyabingi greatly impacted history as well as our pathways to a pan-African consciousness. A real-life fusion of warrior-queen archetypes that arose in the ancestral Nile River mythologies of Khemet, Goddess Nyabingi’s spirit also lives in the diffusion of beats and flows that birthed hip-hop in today’s diaspora. (more…)

Tears of the Big Waters [a story]

The California sycamore in the meadow of the Topanga canyon hilltop rustled as if it had just spoken. Nya Okatsa’s back remained molded against the wizened tree trunk as the sudden jerk from Malik’s head in the cradle of her crossed legs belied the nonchalant sprawl of the rest of his six-foot frame on their picnic blanket. He squinted upwards, his eyes sorting through the noonday sun and shadow as the overhead canopy settled from the agitated mid-July gust that had just blown. Seeing the coy arch of Nya’s brows within her silhouette, Malik broke into a broad grin – unfazed by her confession that she’d been a tree-whisperer from birth. (more…)

Amakhamandela ~ Letta Mbulu

HaNtu: Afrofuturism “In the Stone”

~ Posted in honor of African-American Music Appreciation Month, June 2017 ~

“The artist is meant to put the objects of this world together in such a way that through them you will experience that light, that radiance which is the light of our consciousness and which all things both hide and, when properly looked upon, reveal. The hero journey is one of the universal patterns through which that radiance shows brightly.” [Joseph Campbell, Pathways to Bliss] (more…)

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