UbuNtu ~ Manifest Twinergy

Following 2019 – the “Year of Return” marking the 400th anniversary since enslaved Africans first set foot in the Americas at Jamestown, VA in 1619 – 2020 has evolved as an iconoclastic year, following the horrific murder-by-police of George Floyd in the Twin City of Minneapolis, MN on African Liberation Day (May 25th). Ironic. Altars to the Confederacy, Christopher Columbus, and other self-congratulatory symbols of Euro-patriarchal oppression continue to be torn down in public spaces as the human collective grapples with repairing from the adverse impact of twin pandemics in 2020, both of which have claimed significant numbers of lives. Ironic? Yes, in that the most recent of these pandemics is identified by a term – “Corona” – which otherwise refers astronomically to the glow emitting from the sun and other stars, or anatomically to a person’s crown. The other pandemic – racism – has acted historically and virally through predatory patterns of invasion, exploitation, and control of the land and resources (human, spiritual, cultural…) of indigenous sovereigns in service to an elite-run matrix and its self-serving narratives.

You Want a Confederate Monument? My Body Is a Confederate Monument, Caroline Randall Williams wrote powerfully from the embodied perspective and sovereignty of her “rape-colored skin.” Sovereignty resides in diverse bodies and experiences despite centuries-old aggressive parasitic Euro-patriarchal agendas to consolidate the “shine” or sovereignty of others around its hegemonic presence, as Ezra Aharone exposes in a list of historic examples:  

The European world of nationhood is seemingly based on democracy, but it was not built in democracy… Consider their motives and psychology behind the likes of the Magna Carta of 1215; the Westphalian Sovereignty Accord of 1648; Chattel Slavery; American Exceptionalism; the Treaty of Paris 1783; Manifest Destiny; the Berlin Colonial Congress of 1884; the White Man’s Burden; and Globalism of today… (The Sovereign Psyche, 2016).

Manifest Destiny – a core justification for white territorial expansion in north America between the War of 1812 and the Civil War of the 1860’s – was later rebranded American Exceptionalism as US-style democracy was promoted abroad. Its three basic programs hold that: (1) White people and their institutions have special virtues; (2) The United States has a mission to redeem and remake the world in its own image; and (3) Accomplishing this goal is America’s duty to god – hence its Manifest Destiny… euphemistically referred to as the White Man’s Burden. In contrast:

UbuNtu – a core guiding tenet of Bantu who comprised 40% of the enslaved African population in America (mainly from Congo and Angola) – is a unity-conscious philosophy evident in cultural retention and expression throughout the African Diaspora which Desmond Tutu describes thus: Africans believe in something that is difficult to render in English. We call it ubuntu… It means the essence of being human. You know when it is there and when it is absent. It speaks about humaneness, gentleness, hospitality, putting yourself out on behalf of others, being vulnerable. It embraces compassion and toughness. It recognizes that my humanity is bound up in yours, for we can only be human together.

Divine Twins – a term that’s come into popular use by those who look towards a prophetic Age of Aquarius to emerge from the outgoing Piscean Age – refers to the notion of advanced souls which have been split into two embodiments (masculine-feminine) in order for God/Love to experience separate and sovereign His-and-Her earthly incarnations before their journey back to each other. This Divine Twin Journey is said to be what fuels the ascension of unity-consciousness [UbuNtu] in humanity and Mama Earth at large, thus overriding institutionalized, homo-social white-man’s-burden dogmas of the Piscean Age such as salvation-at-the-cross. Lack of authentic sovereign agency has led most of humankind into profound states of disorientation and alienation from Source & Self, particularly when experienced systemically as racism, slavery, apartheid, colonialism, pedophilia, misogyny, etc. in the soulless false matrix.

It may come as a surprise to some active proponents of the concept of Divine Twins to learn that theirs is a journey back-to-the-future… for humanity’s sake. Sankofa is a reminder to Africans from the Akan of Ghana, meaning: In order to move forward, you must reach back to reclaim that which may have been lost, forgotten, or stolen. In other words, unity-consciousness (the overriding purpose of the Divine Twin Journey) would return us to the baseline of UbuNtu – that which a hegemonic elite, in fulfilling their “burden,” targeted for erasure from Africans specifically and humanity by extension, by imposing matrix agendas through division, conquest, trauma, (re)programming of timelines, and inventing of controlling narratives – which then required enforcement by policed-states throughout his predatory/parasitic system.

It’s interesting to me that proponents of the New Age who argue against the ‘matrix’ nevertheless do not acknowledge the targeting of black sovereignty that is at the karmic core of the system’s structure. Age of Aquarius advocates instead tend to speak from a westernized perspective rather than a familiarity with African culture and symbology, particularly as practiced in ancient Egypt [Kmt] from where Mysteries of the S/Hero’s Journey are said to have been originally formulated as a universal paradigm. Colonization of these Mysteries – e.g. Greco-Roman calendars & planetary nomenclatures – are used by most tarot readers in tandem with western astrology’s forecasting of daily-weekly-monthly planetary shifts and their ‘political’ alignments, hence ‘impacts’ in human affairs, such as the rare conjunction of December 21st [winter solstice northern hemisphere] between Jupiter & Saturn [Amun & Heru in Kmt], nicknamed the “Bethlehem/Christmas Star.” An occasional eavesdropper, I take from westernized narratives only what resonates with my understanding of more ancient sovereign advice: Popular beliefs on essential matters must be examined in order to discover the original thought [Ipet Resyt proverb]. The tarot is such an example:

In the tarot deck, the most impactful of the 78-cards are the 22 Major Arcana aka Trump cards – for better or worse. (The remaining 56 Minor Arcana cards cover ups-&-downs in daily life on the human plane: #1 – #10 corresponding to identically-numbered cards in the Major Arcana plane.) The Major Arcana cards range from #0 or The Fool card representing the vulnerable, untested truth-seeker at the start of their journey into The World (#21 card) – representing completion of the S/Hero’s Journey in which the truth-seeker has successfully overcome obstacles & challenges, often by adversarial forces. Between these two cards lies the hidden prophecy of the Divine Twins, who show up as:

The Magician#1 card (Djehuti in Kmt) – representing the Divine Masculine, is armed with tools and his electrifying energy which initiates change through manifestation from the ether into beingness. Tools of The Magician include symbols for each of the 4 elemental archetypes symbolized by their Suits, namely: Pentacles – aka Earth – representing the archetype of King [Ausar]; Swords – aka Air/Wind …the Warrior [Heru] archetype; Wands – aka Fire …the Magician; and Cups – aka Water …the Lover [Amun]. In Kemetic Mysteries, each archetype has a Divine Feminine counterpart [Ref: Khmunu – Ogdoad of Hermopolis], as well as a shadow side [Set] that must be overcome during the Divine Masculine’s Hero Journey. The fully-integrated Lover (‘The Hidden One’ who also embodies the other archetypes as Emperor – #4 card) is the “water-bearer” partner/usher of the Age of Aquarius/New Earth. And it is the union of The Lovers [#6 card] against which The Devil [#15 card: 1+5 = ‘#6’] acts as adversary, to prevent New Earth/The World [#21 card] from becoming, because The Lovers/Divine Twins ultimate union would mean Babylon.Has.Fallen… New.Earth.Is.Risen.

The High Priestess#2 card (Seshat in Kmt – aka ‘the veiled Auset’) – representing the Divine Feminine Twin counterpart – plays a mirroring role to The Magician [As Above, so Below… As Within, so Without…]. If he’s in his shadow-energy as trickster, for instance, The High Priestess – in her truth [Ma’at] and unique role and being as Twin – mirrors that back to him in a way that acts to transmute his energy to a higher free-quency. Conversely, the Divine Masculine does the same for her. The Divine Feminine also anchors a complementary magnetic energy field which physically draws the Divine Counterparts towards each other and simultaneously towards their higher electro-magnetic, unity-conscious free-quency [UbuNtu] of New Earth. As their mission of Love aligns and advances, the Magnum Opus which their conjoined soul is co-creating as Divine Twins is literally the biblical Song of Songs in which the Shulamite’s soul presents throughout as seeking for and calling to her Divine Masculine & God of Revelation

CALL: Make haste, my beloved, and be thou like to a roe or to a young hart upon the mountains of spices [SoS 8:14]  RESPONSE: Behold, I come quickly; hold that fast which thou hast, that no man take thy crown [Rev 3:11]

As proverbs written ‘in the stone’ of Ipet Resyt state: “If the Master teaches what is error, the disciple’s submission is slavery. If he teaches truth, this submission is ennoblement… The kingdom of heaven is within you. Whosoever shall know Herself shall find it.”

Beyond The Devil [#15] and The Tower [#16], the Heavenly Realm is presented in the last 5 cards of the Major Arcana as: #17 – The Star; #18 – The Moon; #19 – The Sun; #20 – Judgement; & #21 – The World. During the Underground Railroad period, enslaved Africans in the south knew to follow the North Star [#17] via ‘the Drinking Gourd’ …exit the matrix …and advance towards the entry-portal to New Earth. What will follow from this iconoclastic year of review and judgement? #The World… ❤ #UbuNtu… ❤ #Age of the Water-Bearer… ❤ Amun…

“Nakumbuka” 11/11 ~ The MA’ATrix Re-membered

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“The Middle Passage” ~ Tom Feelings

Nakumbuka‘ means ‘I remember’ in Kiswahili. November 11th has been recognized as ‘Nakumbuka Day’ by the Pan-African Associations of America since 1994 when the first ceremony was held at San Diego State University in California. It was set aside as a day to remember the African victims of the European enslavers, colonizers and agents of genocide whose horrendous acts created a bloody trail of devastation and left families on the continent unable to lay their grief to rest after several hundred years. It has been estimated that the Middle Passage claimed upwards of 60 million African lives, not counting the huge losses on plantations in Europe, the Caribbean, North-, Central-, and South-America. In seeking free labor to build its empires, European and American Capitalism’s emergence crippled a continent and its descendants socially, culturally and economically during the timelines of African slavery, colonialism, and now neo-colonialism.Middle Passage MonumentHistorically, 11/11 marks the end of 20th-century hostilities during World War 1 between two main Western blocks: the Central Powers [Germany, Austria-Hungary, Bulgaria, Turkey…] vs. the Allied Powers [Britain, France, Russia, Italy, the United States…]. Their truce, an Armistice with Germany, formally went into effect on 11/11/11: the 11th hour of the 11th day of the 11th month of 1918 [100+ years ago]. In 1954, Armistice Day was renamed Veterans Day in the US, Lest-We-Forget-Remembrance-Day-Facebook-Cover-Picturealthough 11/11 is observed in Commonwealth of Nations member states as Remembrance Day – aka Poppy Day – honoring veterans who died [8 million+] in this so-called War to End All Wars. WW2 followed in 1939 after “Germany, angry over war reparations imposed by rivals and eager for revenge, eventually turned to Adolf Hitler.”november-11

Symbolically, the number 11 holds the dual vibration of Twins [Gemini], whose relationship acts as a barometer on the scales of Truth, Justice, & Balance [Libra] within this New Age we are said to have entered of Aquarius – the 11th House of the Zodiac. Helena Blavatsky and her disciple, Alice Bailey are credited with founding the so-called New World Religion’ which, since its unofficial start on 11/11/11, has gained many New Age adherents. In The Externalisation of the Hierarchy [1957], Bailey prefaced her New Age spiritual advocacy with an extensive critique of the [Europatriarchal] World Wars: “Intense nationalism… [a] separative outlook… [and] selfish interests have controlled the reasons for which every nation has entered this war…”  [p. 373-] maat

Spiritually, 11/11 allows a sacred moment for grief over the harsh realities of war… lives lost which are formally given global remembrance from western stages. We ritually observe these post-war programs …our hearts made gentle through words, tears, bouquets, wreaths and lapel poppies, many worn in solidarity by non-European officials. Lest we forget, 40,000 African American troops of the 92nd and 93rd divisions saw battle during WW1 under French command. This distinction tends to be under-acknowledged in the self-indulgent discourse-of-power and narrative of a human community made ‘global’ through Europe’s wars, takeovers, and controlling narratives. Hopes for equal recognition in combat are marginalized alongside cries from slavery’s descendants for Reparations from the neo-colonial ‘matrix,’ as the intensely Eurocentric Poppy-Day program runs its annual sequel. Meanwhile, the spiritual free-quency of MA’AT-consciousness – Truth, Divine Order, Harmony, Balance, Justice, Reciprocity, UbuNtu… – will only be detained for so long as another casualty of war. At some point Africa’s cultural immune system has to recover from the induced state of sleep paralysis to reclaim its own narrative and sovereignty…

MA’AT, who links universal to terrestrial, the divine with the human is incomprehensible to the cerebral intelligence… Peace is the fruit of activity, not of sleep… The key to all problems is the problem of consciousness… If you search for the laws of harmony, you will find knowledge… The best and shortest road toward knowledge of truth is nature… If the Master teaches what is error, the disciple’s submission is slavery. If he teaches truth, this submission is ennoblement… The kingdom of Heaven is already within you; if you understand yourself you will find it… The body is the house of the God/dess. That is why it is said, ‘Wo/Man know thyself’… By knowing one reaches belief. By doing one gains conviction. When you know, dare… You will free yourself when you learn to be neutral and follow the instructions of your heart without letting things perturb you. This is the way of MA’AT…” luxor

This selection of proverbs are from God/dess Amun/Mut’s Luxor Temple [pictured right], located on the east bank of Africa’s Nile River in Uaset. It is known as Ipet-Resyt, meaning “The Southern Sanctuary” which is connected via an Avenue of Sphinxes to the Ipet-Sut – “The Most Selected of Places” in Karnak, both dedicated to the worship of Amun-Re and His Godhood with Divine Feminine Consort, Mut. Per_Ankh symbolPer-ankh – “Houses of Life” were designated as spaces for education in such Khemetic temples because knowledge was considered sacred… a divine mystery of the balance between masculine and feminine co-creatives/Twins. Bound to nature and the cosmos for all time, these proverbial teachings are written in the stone [EWF] of Luxor Temple’s walls. “People need images. Lacking them they invent idols. Better then to found the images on realities that lead the true seeker to the source.” aquariusResembling the human form in repose, the Luxor Temple’s unique design itself appears symbolically dedicated to resurrection and reparation of the sovereignty of truth, life & unity-consciousness… an architectural ‘body’ on Mother Africa’s Earth, poised as if to awaken and rise to Her Heavenly Twin.

In pop culture, this awakening is thematic to The Fifth Dimension’s 1969 ‘Age of Aquarius’ – prophetic anthem of a New Age which many believe dawned 42 years later, on November 11th, 2011 [11/11/11]. ‘42‘ is a number that is sacred to MA’AT, Goddess who serves to protect the world from chaos. [In today’s world this ‘chaos’ has occurred within the policed-state of an elite cabal’s Victorian/neo-colonial/false 3D matrix of control and mass-manipulation.] The Principles of Ma’at predate the ’10 Commandments’ as humanity’s oldest written sources of moral & spiritual instruction. Recorded in the Khemetic funerary Book of Going Forth by Day AKA Book of the Dead, these were based on 42 declarations made by Ani in the Hall of Judgment of his having lived in accordance with MA’AT’s principles, such as: “I have not done iniquity; I have not stolen; I have not made any to suffer pain; I have done no murder nor bid anyone to slay on my behalf; I have not spoken lies; I have not caused the shedding of tears; I have not dealt deceitfully; I have not lusted nor defiled the wife of any man; I have not caused terror; I have not done that which is abominable; I have not stopped my ears against the words of Right and Truth; I have not stirred up strife; I have not wronged the people; I have done no harm nor have I done evil; I have not worked treason; I have never fouled the waterhave not spoken scornfully; I have not behaved with arrogance…”  [Papyrus of Ani – c.1250BCE]prince symbol 

“We’re in the feminine aspect now… That’s where society is… Men have gone as far as they can, right? …I learn from women a lot quicker than I do from men. …At a certain point, you’re supposed to know what it means to be a man, but now what do you know about what it means to be a woman? Do you know how to listen? Most men don’t know how to listen.” [Prince, 2014]

MA’AT‘s consort is DJEHUTI, the Magician archetype of the Divine masculine with whom the Goddess creates the Balance & Harmony needed to prevent the universe from falling into chaos and disorder. Symbolized by her hallmark feather, the Truth MA’AT has found in her aspect as AUSET [proverbial ‘True Seeker’ and wife of Khemet’s beloved King AUSAR who was mutilated when SET – god of chaos and disorder – usurped his throne] is key to humanity’s awakening and ascension to Heaven-on-Earth. During her seeking, AUSET hears the cries of the downtrodden, children, her beloved [now god of the afterlife]… and responds with compassion and wisdom as she awakens, ascends, dances, re-members#11/11… #UbuNtu… #Auset/Ausar… #Hathor/Heru… #Ma’at/Djehuti… #Mut/Amun [#Uaset/Sah]… #Nakumbuka… ❤

The Beautyful Ones…

The Beautyful Ones Are Not Yet Born, Ayi Kwei Armah’s debut novel (published in 1968), owes its title to the misspelled inscription on a bus in Ghana where the story is set. It opens during the final months in 1965 of President Kwame Nkrumah’s rule as Ghana’s first post-colonial president, and closes with the coup that ousted him on February 24th, 1966. This period in Ghana’s history is filled with rampant poverty; overdependence on foreign capital and goods; corruption & bribery as the order of business; and other ills that have plagued Africa’s countries which followed Ghana into independence – all without the needed systemic changes that would mitigate the stagnation and disillusionment of Africans who’d only become inevitably ensnared in parasitic neo-colonial arrangements. Immersing his characters in putrid filth, rottenness, dirt, and scatological imagery as he airs out Ghana’s post-independence laundry through story, Armah leads the reader to the judgment on the novel’s final page – the misspelled bus inscription that becomes its title.

The Beautyful Ones Are Not Yet Born was widely praised but also criticized, most notably by Nigerian novelist Chinua Achebe, who writes: Armah is clearly an alienated writer complete with all the symptoms. Unfortunately, Ghana is not a modern existentialist country. It is just a Western African state struggling to become a nation. So there is enormous distance between Armah and Ghana.… A man is never more defeated than when he is running away from himself. 

AUSAR [Osiris] ~ The ‘Beautyful’ One

In his preface to a new edition of the novel published by Per Ankh, Ayi Kwei Armah himself makes note of the criticism his novel received: “Much of it focused on [my] perceived artistry. There was a tendency …to contrast this supposed authorial virtuosity with the novel’s subject matter, rather inaccurately summed up as the pervasive negativity of the human condition in Africa. This bias didn’t surprise me, and I assumed it would take little time for some careful scholar to balance it by zooming in on the conceptual content of the title, which I think expresses the meaning of the text as accurately as any title can. It is a matter of some bafflement to me, therefore, that to date, as far as I know, no critical assessment has actually gone to that thematic core: the provenance of the concept and image of the beautyful ones. The phrase ‘The Beautiful One’ is ancient, at least 5,000 years old. To professional Egyptologists, it is a praise name for a central figure in Ancient Egyptian culture, the dismembered and remembered Osiris, a sorrowful reminder of our human vulnerability to division, fragmentation and degeneration, and at the same time a symbol of our equally human capacity for unity, cooperative action, and creative regeneration…

By the time I wrote the novel my impressions of Osiris, though still relatively disorganized, had evolved to the point where I was ready to recognize the image as a powerful artistic icon. Here, in mythic form, was the essence of active, innovative human intelligence acting as a prime motive force for social management. I have yet to come across an earlier, or more attractive image for the urge to positive social change.”

NEFERTITI ~ The Beautiful Woman Has Come’

For conceptual context, Armah could well have used another renowned ancient Egyptian figure whose name means the beautiful woman has come.” Queen Nefertiti, alongside her husband Pharaoh Akhenaten, established the monotheistic cult of Aten-worship – a ‘new world order’ in 14th century BCE which Akhenaten led from his worship center of Amarna. Egyptian artwork during Aten’s Amarna Period was also radically different from its predecessors. The imposed reforms of traditional culture and spirituality resulted in Aten’s legacy becoming that of Egypt’s despised ‘heretic king.’ Aten’s son and eventual successor, Tut’Ankh’Amun (formerly Tut’Ankh’Aten – meaning “the living image of Aten”) restored ancient Egypt’s cultural traditions around Amun and returned its worship center to Uaset (Gr. ‘Thebes’) during his reign. Hence his name change to Tut’Ankh’Amun.

The Nefertiti Bust – believed to have been crafted in 1345 BCE by Thutmose because it was found in his workshop in Amarna by German Ludwig Borchardt’s archaeological team in 1912 – has become one of the most copied works and iconic symbols of feminine beauty, which most associate with Egypt. Kept at various German locations since its “discovery,” the Nefertiti Bust is currently on display at the original  pre-WW2 display site of Neues Museum in Berlin. Germany, like most former colonial powers which have profited greatly off their stolen African artefacts, continues to resist Egyptian demands (since 1924) for the repatriation of Egypt’s Mona Lisa, as it were – the bust of Egypt’s ‘beautiful woman…’ Nefertiti.

In relation to Armah’s musings on Osiris/Ausar‘s symbolic relevance to Africa-writ-large, in ancient Egypt a true Queen [Auset] was said to be “She who sees Set and Heru.” Set – god of foreign oppression, chaos, violence, perversion, illness… – who usurped Egypt’s Heaven-on-Earth throne through murdering and dismembering Ausar, and then scattering his pieces [African diaspora] is evident from the predatory Eurocentric divide-&-conquer playbook which creates the parasitic matrix systems humanity experiences as slavery, (neo)colonialism, apartheid… through misappropriation & predatory control of Africa’s sovereign resources. Heru – Ausar & Auset’s posthumously-conceived son who avenges his father by defeating Set & restoring Heaven-on-Earth – is apparent in the post-Amarna role of regeneration Tut’Ankh’Amun played out of his allegiance to Amun, not Aten… #Sankofa.

FATHIA HALIM RITZK NKRUMAH ~ A ‘Beautyful’ First Lady of Ghana

The links between Egypt and Ghana go further than a background concept in Ayi Kwei Armah’s mythologically-based authorial imaginings. Fathia Halim Ritzk – a Coptic Egyptian who’d taught French prior to taking a job at a bank in Cairo – became First Lady of a newly independent Ghana when she married Kwame Nkrumah on New Year’s Eve 1957-58. According to published reports, Nkrumah – who succeeded Queen Elizabeth II on March 7, 1957 as ruler of Ghana – had set out to find himself a Christian wife from Egypt through his friend, Alhaji Saleh Said Sinare – one of the first Ghanaians to study in Egypt. Fathia was chosen out of five finalists. Despite her mother’s refusal to bless their union, Fathia’s marriage to Nkrumah took place at Christianborg Castle upon her arrival in Accra, Ghana. Unmoved by Nkrumah’s pan-African vision & bona-fides, Fathia’s mother – whose son had left Egypt with an English wife – had been reluctant to see another of her five children marrying a foreigner and leaving the country. Fathia returned to Cairo with their 3 children after the military coup d’état that ousted Nkrumah on February 24, 1966. Nkrumah died in 1972 in Bucharest, Romania. Fathia died in Cairo in 2007. Both husband and wife lie buried side by side at the Kwame Nkrumah Memorial Park in Ghana.

BRANFORD MARSALIS ~ The Beautyful Ones Are Not Yet Born’

Titled after Ayi Kwei Armah’s book, The Beautyful Ones Are Not Yet Born is also a 1991 jazz album by Branford Marsalis (tenor and soprano sax player) who leads a trio with Jeff “Tain” Watts and Robert Hurst. The Beautyful Ones Are Not Yet Born is the 2nd track on the album which peaked at #3 on the Top Jazz Albums chart. Wynton Marsalis, Branford’s trumpet-playing brother, makes a guest appearance on the album’s 4th track, Cain and Abel. Hailing from New Orleans Louisiana, the Marsalis brothers are world-renowned members of their multi-generational ‘First Family of Jazz.’ Wynton is often quoted as saying: “The bloodlines of all important modern American music can be traced to Congo Square.” 

Congo Square in New Orleans is a cultural and spiritual intersection which, like nearby Angola… was named after countries of origin of Louisiana’s predominant enslaved African population. Custodians of BaNtu oral-aesthetic traditions navigated this foreign space in ways that generated musical conversations (jazz, rhythm-&-blues, etc.). Guided by UbuNtuthe unity-conscious cultural philosophy which says “I am, because we are…” – African oral-aesthetic traditions became one of the greatest civilizing forces in America. BaNtu aesthetic quality or beauty – called KuNtu – is judged by how well cultural expression meets its art-for-life’s-sake cultural mandate towards the collective. In contrast to Manifest Destiny &/or American Exceptionalism which were used to justify the enterprises of slavery, colonialism, apartheid, etc. – the so-called “white man’s burden” – UbuNtu has endured as a counteractive Africa-centered guiding & humanizing force.

PRINCE ~ The Beautiful Ones’

In a scene from his 1984 movie, Purple Rain, Prince delivered an unforgettable performance of a song titled The Beautiful Ones. Apparently the artist had already settled on the same as a title for his biography which he’d begun working on with writer and lifelong fan, Dan Piepenbring. Through the telling of Prince’s story, it seems the greater vision was for the co-written project to inspire and help cultivate a society of beautiful ones… be a “handbook for the brilliant community”… a how-to guide for black -musicians, -creatives, -collective ownership, -freedom… an authentic voice against racism, elitism, etc. & for positive social reform. An ancient proverb from Ipet-Sut (the “southern sanctuary” and temple of Amun~Mut) says: When the governing class isn’t chosen for quality it is chosen for material wealth: this always means decadence, the lowest stage a society can reach. A fragmented version of Prince’s The Beautiful Ones was posthumously published and released exactly a year ago – on October 29th, 2019. So much has evolved on the community’s global streets since then…

Perhaps, as Ayi Kwei Armah suggests, a resurrected Ausar is rising out of the Babylonian ashes of a false ‘elite’ matrix through the collective ascension of a previously fragmented/degenerated human consciousness – and, like the proverbial phoenix of old… The Beautyful Ones Are Now Being Reborn… #Sankofa #UbuNtu

The Galactic Codex

NOTE: The Galactic Codex (paraphrased and reprinted here from various Internet sources) purportedly represents the legal basis for all actions of The Confederation of Light, a collective body said to be made up of this and other galaxies. The Confederation asserts that their Codex is not meant to be a rigid set of external laws but rather meant to represent a systemized code of inner ethics… one that all beings of Light accept with their free will to the extent that it reflects their “inner truth,” allowing a “hostage” planet Earth to finally become liberated from the “Dark Forces.” As with all information from unverifiable sources, use your true inner & highest discernment. [See my ***AFTERTHOUGHTS below & in comments]

Planet Earth is the last planet in this universe under the occupation of Dark Forces, the last relic of galactic wars that raged throughout the galaxy for millions of years. As the Galaxy was being liberated from the grip of Dark Forces, the Forces of Light have been evolving from a military force created in the urgent need to defend basic liberties of sentient beings towards a harmonious galactic and cosmic society. As beings within the Galactic Confederation have evolved spiritually and made their alignment and union with the Ascended Masters, they have discovered an inner codex that regulates all inter-relationships between beings of Light and their relation towards the Dark Forces and occupied planets.

We will now state the Galactic Codex in a form that is understandable to an average awakened being in a human society.

SECTION 1 ~ THE LAW OF DIVINE GRACE 

Each sentient being has an inalienable and unconditional right to positive life experience. To explain “section 1” we need to understand that suffering and pain have no value in the enlightened Galactic society liberated from the influence of Dark Forces and other aspects of cosmic anomaly. To value pain, suffering and sacrifice as a part of the growth experience was a part of the programming from the Dark Forces in order to enslave the population of the occupied planets more easily. 

Unconditional positive life experience of every sentient being in the liberated universe is guaranteed from the inner connection of every living being with the Source; and strengthened by the power of the Ascended Masters over matter which allows them to assist all living beings in their aspirations towards the Source and provide them with necessities of life. Life was never meant to be hard work and struggle but rather a journey of joy and creativity.  

Different subsections of ‘Section 1’ regulate all life in a liberated universe and all relationships between beings of Light so that conflicts never need to occur. Let us explain the subsections: 

Section 1: subsection 1 – Each sentient being has an inalienable and unconditional right to physical and spiritual abundance. This subsection guarantees a positive life experience for every being in the liberated universe. The Ascended Masters provide for all necessities of living and for physical and spiritual richness and beauty using the power they have over the redeemed matter of a liberated universe.  

Section I: 2 – Each sentient being has an inalienable and unconditional right to Ascension. This subsection explains how the Ascended Masters use their advanced understanding of spiritual technology of Ascension, and by utilizing the Electric Fire of redemption assist all beings that free-willingly choose Ascension. 

Section I: 3 – Each sentient being has an inalienable and unconditional right to merge with other beings in proportion with his/her position in the Soul Family mandela. This subsection is an instrument of regulation of all relationships inside a Soul Family. It guarantees the merging of beings of opposite polarity (twin souls, soulmates) and alignment of all other beings regardless of their state of development and outer conditions. 

Section I: 4 – Each sentient being has an inalienable and unconditional right to all information. This subsection is a guarantee that all beings receive all pieces of information they need to understand their role in the universe, greater perspective of evolution and all other pieces they need for their decisions, growth and wellbeing. All this data is provided by Ascended Masters or other beings that supervise the evolutions of various races and civilizations.  

Section I: 5 – Each sentient being has an inalienable and unconditional right to freedom. This subsection provides that every being has an unlimited potential of growth and life experiences. Since all beings in the liberated universe create only positivism, their freedom never opposes the freedom of other beings.  

SECTION 2 ~ THE LAW OF DIVIDING THE CONFLICTING PARTIES  

Each sentient being has an inalienable and unconditional right to be divided and protected from the negative actions of other sentient beings. This section regulates the conditions in those sections of the universe that have just been liberated from the influence of the Dark Forces but that have not yet been accepted in the Confederation. It requires that the Forces of Light always divide the parties in conflict to protect them from producing mutual harm to each other. Then the Light Forces mediate the conflict until it is resolved. This section is often used to end wars and other armed conflicts.  

SECTION 3 ~ THE LAW OF BALANCE 

Each sentient being that has chosen to live and act against the principles of the Galactic Codex and refuses to, or is not able to accept them now and balance the consequences of the past actions will be taken to the Central Sun, restructured into the basic elemental essence and begin a new cycle of evolution afresh. This section regulates the relations between the Forces of Light and the Forces of Darkness. When defeated, beings that belong to the Forces of Darkness are given the opportunity to accept the Galactic Codex, do the best they can to correct the mistakes they made and to live positively afterwards. If they accept, they are forgiven and join the Confederation. If they are unable or unwilling to accept, they are taken to the Central Sun, their personalities and soul essences are restructured with the Electric Fire and their divine spark begins a new cycle of evolution.  

SECTION 4 ~ THE LAW OF INTERVENTION 

The Galactic Confederation has an inalienable and unconditional right to intervention in all situations where the Galactic Codex is violated, regardless of the local laws. This section describes the policy of the Light Forces regarding occupied planets. The Confederation reserves the right to intervene in all areas, civilizations, planets or solar systems where the Galactic Codex is violated. It has the right to do so regardless of the position of the local civilizations about this intervention. It always has the right to use all peaceful means to education and regulation. If the critical mass of the Galactic Codex principles is violated, it has the right to use military force.  

Special cases are planets under direct occupation of the Dark Forces. The Dark Forces usually take the local population hostage to hinder the progress of the Forces of Light. On Earth they have threatened with nuclear war [*] if the Light Forces would intervene. This is the main reason why the Light Forces have not yet liberated this planet (and not the so called “we-will-not-intervene-because-we-respect-free-will… we-will-just-watch-as-the-suffering-goes-on” nonsense). As in any hostage situation, this requires a lot of skillful negotiation and tactical approach. This situation is now being resolved, and planet Earth will be liberated soon. 

Section 4: 1 – Each sentient being has an inalienable and unconditional right of calling upon the Galactic Confederation in need and the Galactic Confederation has the right to assist, regardless of local laws. This subsection gives a legal basis for intervention and assistance to all hostages of Dark Forces. The Forces of Light always do the best they can to assist and improve the living conditions of all sentient beings, even on Earth. The situation on planet Earth just indicates how much more power darkness has had over Light on this planet. Fortunately, this is changing now. 

Section 4: 2 – The Galactic Confederation has an inalienable and unconditional right to the implementation of the Galactic Codex and of conquering the areas of Galactic Codex violation with military force if necessary. This subsection gives a legal basis for the liberation of occupied planets with military force. The military forces of the Confederation remove or give assistance in removal of the representatives of the Dark Forces and set the hostages free. Then other Confederation forces guide the process of acceptance of the planet into the Confederation by instructing the local population.  

Perhaps some humans feel that the Confederation has no right to intervene and that humanity has the right to solve its problems by itself. This is simply not true. Many wars all over the planet and constant abuse of basic human rights have proven that humanity is not capable of handling its own situation. So, it is much better that it receives wise guardians to guide it. The Confederation will give assistance in replacing current masters of the puppets (Dark Forces) that humanity has invited long ago in Atlantis. Then the Galactic Codex will finally become the universal code of ethics throughout the universe and darkness will be no more.

***AFTERTHOUGHTS: 1492…1619…1884… Any other ‘SECTIONS’?… * ‘Nuclear war’ threat = post-1930’s. Lest we forget:“The European world of nationhood is seemingly based on democracy, but it was not built in democracy… Consider their motives and psychology behind the likes of the Magna Carta of 1215; the Westphalian Sovereignty Accord of 1648; Chattel Slavery; American Exceptionalism; the Treaty of Paris 1783; Manifest Destiny; the Berlin Colonial Congress of 1884; the White Man’s Burden; and Globalism of today. Each instance puts their Sovereign Psyche on display…” [Ezra Aharone, The Sovereign Psyche, 2016].

If the Master teaches what is error, the disciple’s submission is slavery. If he teaches truth, this submission is ennoblement” [Proverb from Ipet-Resyt/Southern Sanctuary of Amun~Mut]. #UbuNtu: I am, because we are…”

“Shut This Down” ~ [P ft MJ]

Did you ever want to see that collab between Prince & MJ?! YouTuber Raphael Tavares delivers this mix of Pince’s “Shut This Down” [2015] as a soundtrack to MJ’s provocative moves in “Black or White” [1991]. Besides this mix being reminiscent of the “Bad” [’87] collab that didn’t happen between the two for reasons Prince gives in his 1997 Chris Rock interview with a wink-&-nod, Tavares’ posthumous rendering conveys a prophetic reading of the black panther‘s Africa-centered totemic symbolism & role …a whole nutha-level cultural narrative that’s resonant with current events, alongside Sopdet‘s journey in her zodiac today. [+++ Check out P covering MJ/J5 below… Yaasss 2 the Sista-power!!!]

Posted in honor of African-American Music Appreciation Month – observed in the United States during the month of June since 1979 under the presidency of Jimmy Carter. The first and last years of Barack Obama’s presidency saw the transitioning of the two African-American musical giants: Michael Joseph Jackson [6/25/09] & Prince Rogers Nelson [4/21/16]. RIP… Don’t get lost in the forest…
Presidential Proclamation — African-American Music Appreciation Month, 2016

AFRICAN-AMERICAN MUSIC APPRECIATION MONTH, 2016 

BY THE PRESIDENT OF THE UNITED STATES OF AMERICA 

A PROCLAMATION 

A vital part of our Nation’s proud heritage, African-American music exemplifies the creative spirit at the heart of American identity and is among the most innovative and powerful art the world has ever known. It accompanies us in our daily lives, and it has rung out at turning points in our history and demonstrated how our achievements as a culture go hand-in-hand with our progress as a Nation. During African-American Music Appreciation Month, we honor the artists who, through this music, bring us together, show us a true reflection of ourselves, and inspire us to reach for the harmony that lies beyond our toughest struggles. 

Songs by African-American musicians span the breadth of the human experience and resonate in every corner of our Nation — animating our bodies, stimulating our imaginations, and nourishing our souls. In the ways they transform real stories about real people into art, these artists speak to universal human emotion and the restlessness that stirs within us all. African-American music helps us imagine a better world, and it offers hope that we will get there together. 

This month, we celebrate the music that reminds us that our growth as a Nation and as people is reflected in our capacity to create great works of art. Let us recognize the performers behind this incredible music, which has compelled us to stand up — to dance, to express our faith through song, to march against injustice, and to defend our country’s enduring promise of freedom and opportunity for all. 

NOW, THEREFORE, I, BARACK OBAMA, President of the United States of America, by virtue of the authority vested in me by the Constitution and the laws of the United States, do hereby proclaim June 2016 as African-American Music Appreciation Month. I call upon public officials, educators, and all the people of the United States to observe this month with appropriate activities and programs that raise awareness and foster appreciation of music that is composed, arranged, or performed by African Americans. 

IN WITNESS WHEREOF, I have hereunto set my hand this thirty-first day of May, in the year of our Lord two thousand sixteen, and of the Independence of the United States of America the two hundred and fortieth. 

BARACK OBAMA 

African Liberation Day ~ 5/25

On May 25th (“5/25”) 2020, two recorded events made headlines in the African Diaspora. Both were horrific in the degree to which they were racially-charged and played out from the standpoint of white privilege and callousness against black lives. One was a blatant attempt to provoke a potentially dangerous police-confrontation against an innocent bird-watcher (Christian Cooper) in New York’s Central Park; and the other which demonstrated that potential when George Floyd lived his final 8m:46s under the knee of a Minneapolis police officer. Unfortunately, such occurences as these are not uncommon, and the long list of African victims goes back to the era of slavery whose evils live on and play out in toxic ways from that unexorcised and overly-policed space which nonetheless claims to be the land and home of the free and brave. Officially commemorated as Memorial Day, May 25th – the date of these occurences and America’s unofficial start of summer – is, perhaps ironically, also observed as African Liberation Day Read More

“I Am a Black Man” ~ George Tait (poem)

Andreas Woods aka Kwaw Imana, the mathematics-major Morehouse class of 2000 Valedictorian who would go on to get a Ph.D. in Egyptology, used this moment in the Morehouse spotlight to explain why he rejected the Cecil Rhodes Scholarship for himself. Morehouse is an all-male HBCU. Rhodes’ legacy is that of an avowed white supremacist, reported pedophile, architect of apartheid, & agent of other colonial chaos in Afrika [i.e. ‘Set’ of Kemetic mythology]. Rhodes remains buried in Zimbabwe [colonial ‘Rhodesia’] since his death in 1902, while Britain erected an altar to Rhodes in the form of his statue at Oxford University in 1934! Reciting a poem by George Tait entitled I Am A Black Man, Kwaw Andreas Woods Imana – like Heru [‘Horus/Hero’] in Kemetic mythology – aligns the struggle of Afrika-descended manhood within the knowledge industry against its complicity in codifying and perpetuating systemic racism. #RhodesMustFall Read More

Blessed Be…

♥♥♥

“A Blessing on a Home” [from Blessed Be]

Year of Return ~ 2019

PROPHECY? 

…the Lord told Abram, “You can be certain about this: Your descendants will be foreigners in a land that isn’t theirs. They will be slaves there and will be oppressed for 400 years.  However, I will judge the nation that they serve, and later they will leave there with many possessions.” [Genesis 15: 13-14 International Standard Version]

Proclamationcopy-page-001

PROCEED WITH CAUTION?

BLACK PERSPECTIVES article [click on link below]:

Ghana, France, and the Re-writing of Colonial Narratives By Annette Joseph-Gabriel 

***

ANCESTRAL COUNSEL

nkrumah

♥ We face neither East nor West: we face forward.
♥ We prefer self-government with danger to servitude in tranquility.
♥ Freedom is not something that one people can bestow on another as a gift. They claim it as their own and none can keep it from them.
♥ A State in the grip of neo-colonialism is not master of its own destiny. It is this factor which makes neo-colonialism such a serious threat to world peace.
♥ The best way of learning to be an independent sovereign state is to be an independent sovereign state.                [QUOTES FROM KWAME NKRUMAH ~ FATHER OF PAN-AFRICANISM]

Ascension ~ “Black Orchid”

“…She has touched the farthest star
Her beauty speaks of what we are
And her freedom makes us free
Her now is in eternity, infinite to all that see
And her dreams have been achieved
Now there is a sound of laughter
Nature sings out her name
For the world to know her fame… 
~ Black Orchid ~” [Stevie Wonder – from ‘Journey Through the Secret Life of Plants’]

During the months of July and August, 2018 Mother Earth is responding to an amazing shift in the Harmonics of the Spheres. The Sun’s gravitational pull has aligned to one side of itself all of the planets in the solar system, each with their own unique frequencies. Read More

UbuNtu ~ On Owning Your Masters

If you don’t own your masters, your masters own you.” On his B’Earth’Day [June 7th] in 1993, Prince changed his name to the unpronounceable Love Symbolof his recently released 14th studio album following disagreements with Warner Brothers [WB], the label which originally signed him in 1977. It was a public act of rebellion against WB’s restrictions over him and his prolific creativity. Likening their contractual relationship to one of indentured servitude or slavery, Prince explained:
Read More

Water Bearers & New Age Libations

“When the moon is in the 7th House… And Jupiter aligns with Mars… Then peace will guide the planets… And love will steer the stars… This is the dawning of the Age of Aquarius…” [Lyrics from “Age of Aquarius” by the 5th Dimension, 1969].

Humanity is said to be currently moving to its new astrological Age – an event which happens roughly every 2,000-plus years. We’re living through a transitional period Read More