music and its dance ~ an Africa-centered s/hero's journey perspective

Archive for the ‘Reparations’ Category

Seshat ~ Opener of Heaven’s Door

In African oral tradition we have a communication concept surrounding the power of the word to generate and/or aesthetize life. In BaNtu culture, this is referred to as Nommo. This same concept in Khemet was referred to as Hekau – “words of power” which were key to the alkhemical authority of god-as-magician. Often viewed as the female version of Djehuti (Khemet’s god of magical arts and foremost scribe of the gods) goddess Seshat accompanied Khemet’s widowed Queen Auset in guarding murdered King Ausar‘s reconstituted and mummified corpse to ensure that he would go on to become God of the afterlife. (more…)

Gods, Muses & the Summum Bonum

Ausar, god of the afterlife whom many believe holds the seven heavenly stars in his glorified form in the Hunter constellation, was said to have had a great passion for song and dance during his popular reign in Kemet. So much so that he recruited several African Muses to accompany him on a tour to teach the legendary Nile Valley arts of cultivation throughout Asia and Europe, and always had a troupe of musicians back at his court. These Muses became Goddesses in Kemet, but the later Greek conquest of Ausar’s kingdom led to their colonial conversion and subjugation under Apollo Musagete – “Apollo, Leader of the Muses” – of the Olympian world. (more…)

HaNtu: Afrofuturism “In the Stone”

~ Posted in honor of African-American Music Appreciation Month, June 2017 ~

“The artist is meant to put the objects of this world together in such a way that through them you will experience that light, that radiance which is the light of our consciousness and which all things both hide and, when properly looked upon, reveal. The hero journey is one of the universal patterns through which that radiance shows brightly.” [Joseph Campbell, Pathways to Bliss] (more…)

Hathor ~ Mansion of Heru

goddess_hathor_love

“…glorious”

Hwt-hr is the Kemetic version of Hathor, meaning ‘Mansion of Heru.’ Indeed, as Heru’s divine consort, Hathor is regarded as the sky in which he – as the sun god and Djedi Sky Walker”/ Dancer – dwells. Hathor is worshipped as goddess of music, dance, beauty, fertility, childbirth, women, children and foreign lands who personifies feminine love, joy, motherhood, and nature in general. Women particularly aspired to embody this deeply loved goddess’s conjoined roles as wife, mother, and lover which gained Hathor the titles of Lady of the House of Jubilation’, as well as The One Who Fills the Sanctuary with Joy’.

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Heru ~ Djedi Sky Walker

horus2“Sky God… God of Hunting… Warrior God… Lord of the Horizon… Divine Falcon… He who came forth from Hapi [Africa’s Nile God]… Dweller in Sopdet [Star of Auset]… God of Kingship… Heir of his Father…” are some of the epithets ascribed to Heru, one of Africa’s most storied gods of salvation. Heru‘s hunting prowess is represented in the falcon or hawk whose right and left eyes respectively denote the sun and moonheru-eye-primary-colors1; and who is said to hold the stars in his speckled feathers as his wings create the wind. The circumstances of Heru’s placement in the Holy Trinity which includes Ausar (his father) and Auset (his mother), and his triumphant role in the battle against evil [Set]
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Mut ~ Djed-I Queen

mut“Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?” [Song of Songs 6:10 KJV] 

MUT [Mwt/Maut/Golden Dawn]  – meaning “mother,” is the name of the African Queen who giveth birth, but was herself not born of any. Through the Old Kingdom period of ancient Egypt (2,686-2,134 BCE) Mut was believed to have originally existed as the female aspect of Nun (primeval waters). Her stature subsequently evolved during the 18th Dynasty (1539-1292 BCE) as mother from whom the cosmos emerged. (more…)

Pyramid Wisdom & Story

pyramid green“Pyramids are universal symbols of the human Self.” This statement caught my attention in the book entitled King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine by Robert Moore (Jungian psychologist) and mythologist Douglas Gillette [NY: Harper Collins, 1990]. As I searched for how that was meant (“pyramid” as abstract geometric template, or as African architectural wonder and cultural treasure?) I got caught up instead in the discussion of masculine archetypes, one for each face of the pyramid. King, Warrior, Magician, Lover – the “mature” (men) archetypes – make up their own pyramid, but each has its “immature” (boy) correlates which make up a smaller pyramid within. Unfortunately for society, according to the scholars, “the devastating fact is that most men are fixated at an immature level of development.” (more…)

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