African American Music Appreciation Month
🪘🪘🪘 “Every man must act in the Rhythm of His Time. Such is Wisdom… Routine & Prejudice distort Vision. Each man thinks his own Horizon is the limit of the World… In every vital activity, it is the… Read More
🪘🪘🪘 “Every man must act in the Rhythm of His Time. Such is Wisdom… Routine & Prejudice distort Vision. Each man thinks his own Horizon is the limit of the World… In every vital activity, it is the… Read More
Posted on June 1, 2024 by malaika mutere
African Culture, African Proverbs, Afrocentricity, afrofuturism, Apartheid, Colonial Experience, Hero's Journey, Imperialism, Indigenous Nations, Neocolonialism, Oral Aesthetics, Oral Tradition, Pan-Africanism, Pop Music, S/Hero's Journey, Shero's Journey, slavery, ubuntu
African American Music Appreciation, Afrika Bambaata, Akete, Amun, Angola, art-for-life's-sake, Babylon, Barack Obama, Bronx, Caribbean, Congo Square, DJ Kool Herc, Doug E Fresh, Funde, Grandmixer DXT, hip-hop, Ipet-Resyt, It's Bigger Than Hip-Hop, Jamaica, Kuntu, manifest destiny, Mut, Nyabingi, scratching, Set, The Southern Sanctuary, Thunder, ubuntu, western exceptionalism, Wynton Marsalis
In Africa it is said that each person has a rhythm to which they alone dance. What I’ve learned about this cultural proposition is there is a journey involved in finding one’s rhythm that will likely take you… Read More
Posted on August 8, 2023 by malaika mutere
African Culture, African Proverbs, Afrocentricity, afrofuturism, Apartheid, Colonial Experience, Hero's Journey, Imperialism, Indigenous Nations, Neocolonialism, Oral Aesthetics, Oral Tradition, Reparations, S/Hero's Journey, slavery, Storytelling, ubuntu
Afrika Bambaata, Age of Aquarius, Age of Faith, Age of Growth, Age of Law, Amun, Apartheid, Ascended Master, Ausar, Auset, Berlin Conference, chattel slavery, Cleopatra's Needles, DJ Kool Herc, DJ Qbert, Djehuti, Doudou N'Diaye Rose, Doug Pray, Drum Circle, E.A. Wallis Budge, France-US, Grammys, Grandmixer DXT, grandmother of Europe, Herbie Hancock, Heru, International Meridian Conference, Ipet-Resyt, Khmt, kumina, Lateran Obelisk, Ma'at, Mali, master drummer, Medicine Wheel, Minianka, Mut, Nyabingi, Queen of the South, Queen Victoria, Rastafarianism, Rockit, sangoma, Scramble for Africa, Scratch, Sefket-Abwy, Seshat, Set, She of Seven Points, Temple of the World, Thriller, Thutmose III, Tkhn, Tuthmose III, Tuthmosis III, Twin Tkhn, ubuntu, Victoria, Washington Monument, William Evarts, Yaya Diallo, Zulu Nation
Amidst speculation in certain quarters about a great Return and global re-set around that event, I find myself longing for the organic frequency I imagine existed before the last great patriarchal re-set around the ‘matrix’ of a Mediterranean… Read More
Posted on March 3, 2022 by malaika mutere
African Culture, African Proverbs, Afrocentricity, afrofuturism, Colonial Experience, Oral Aesthetics, Oral Tradition, Pop Music, Reparations, Shero's Journey, slavery, Storytelling
Age of Aquarius, alphabet, Amun-Re, Aristotle, Ausar, Auset, Bob Marley, Carl Sagan, Changing of the Gods, Chuck D, Congo Square, demotic, DJ Kool Herc, Djehuti, Drum Circle, Duke of Edinburgh, eromenos, Heru, hieratic, hip-hop, Ipet-Resyt, jazz, Kemet, Khmt, Kmt, Ma'at, Marshall McLuhan, Nyabingi, Plato, Pluto, Pluto's Return, Prince Philip, Rastafarianism, Sema Tawy, Set, Shulamite, Song of Songs, Temple of the World, Tkhn, Trojan Horse, True Seeker, ubuntu, Uranus, Wynton Marsalis
Queen Nyabingi is one of several likely inspirational fonts for Marvel’s comic book renderings of Wakanda’s Dora Milaje, an elite group of female bodyguards who will soon be slaying on the silver screen [2/16/18] in Ryan Coogler’s directorial rendition… Read More
Posted on January 13, 2018 by malaika mutere
African Culture, Colonial Experience, Oral Tradition, Pop Music, Reparations, Shero's Journey
Ausar, Auset, Babylon, Bagirwa, Black Panther, Black Uhuru, Bob Marley, DJ Kool Herc, Dora Milaje, Ethiopia, Great Lakes, Haile Selassie, Hathor, Heru, hip-hop culture, Jamaica, Kemet, Kitami, Lion of the Tribe of Judah, Marcus Garvey, Muhumusa, New Jerusalem, Nyabingi, Pan-Africanism, Queen Victoria, Rastafarianism, Reggae, Reparations, Rwanda, Scramble for Africa, Sekhmet, Seshat, Set, Solomonic Dynasty, Tafari Makonnen Woldemikael, Uganda, Wakanda, Zion
“I Am – Somebody!” is a praise poem to African-Americans written in the 1950s by Reverend William H. Borders, Sr., Wheat Street Baptist Church pastor and civil rights activist. The poem is most often associated with the Reverend… Read More
Posted on June 25, 2013 by malaika mutere
Malaika Mutere