The age of printed books in the West began with the Gutenberg Bible, the earliest major book to use movable type to enhance and facilitate the capabilities and global reach of abstract western writing technologies, through the mass-production and dissemination of select Africa-sourced narratives told through propagandistic Euro patriarchal storying. One might regard the Gutenberg Bible as its own sort of New Beginning – the Genesis of a mass printed communication technology disseminating themes of Creation (set in a Garden of Eden) and a Covenant purportedly made between the Almighty Creator & His Chosen People profiled in biblical Genesis with clear lines of inclusivity/exclusivity. Jewish and Christian scholars attribute the authorship of this biblical Genesis and the other 4 books of the Pentateuch […Exodus, Leviticus, Numbers, & Deuteronomy] to Moses. Historically elevated by Abrahamic faiths/platforms as the Greatest Of All Prophets, the roles said to have been played by Moses as the leading character included a parting of the Red Sea, and his receipt of the Ten Commandments upon which Jewish law was founded as he led Israelites out of slavery & away from Egypt – where these Commandments were most likely sourced.
In the same printed Gutenberg Bible, we find the Canticum Canticorum, Latin for Song of Songs [SoS], another Old Testament book, in this case attributed to Solomon [r. 970-931 BCE], who succeeded his father David to become King of Israel. Historically promoted as the Wisest Of All Men, Solomon is also notoriously famed for having 700 wives “of royal birth” & 300 concubines! According to many scholars, the black female protagonist in SoS – identified as the Shulamite – represents Sheba [aka Makeda], the African Queen who came to Solomon’s Kingdom to test his legendary wisdom. 
Corresponding accounts of this visit between the two say this became the Genesis of Ethiopia’s Royal Dynasty which was inaugurated in the 10th century BCE through Sheba’s son Menelik… purportedly seeded by Solomon. Ethiopia’s legendary Solomonic Dynasty – which, 
under Emperor Menelik II, totally crushed Italy’s role in Europe’s colonial incursions into Africa during the 1896 Battle of Adwa – eventually ended after Emperor Haile Selassie I was assassinated in 1975. Born Tafari Makonnen Woldemikael in 1892 CE, Rastafarians in the Africa-centered world still hail this final Ethiopian Emperor as the bible’s Messianic Lion of the Tribe of Judah…
“The Nile Is Not Just A River In Egypt”… Tuthmosis [biblical “Moses”?] is a Eurocentric version of the name Dhwty-Ms, meaning ‘born of Dhwty‘ [Gr. ‘Thoth‘]. Dhwty/Djehuti – God of Wisdom & Hieroglyphs/Holy Writing – referred to Africa’s Nile River lands as The Temple of the World. These lands comprise Sacred Geographies such as the actual Garden of Eden… east-central Africa sources of the Nile River (=southernmost source – misnamed, in the wake of Berlin’s 1884 colonial thievery, for “Europe’s grandmum” – & Lake Tana in present day Ethiopia)… & Humanity’s organic Prime Meridian Ley Line… 
as well as Architectures which house and symbolize Galactic Codes, Sacred Mysteries, Mythologies, and other records of the eternal wisdom intended for Humanity’s Ascension. Chaos came into African space-time with slavery [1619-], colonialism [1884-], apartheid [1948-]… the Europatriarchal control and 3D-level gerrymandering of humanity’s organic space that was foreseen in ancient 5D+ level Mysteries. 
These have played out over the course of time, & the limits of propagandized “salvation” via Europatriarchy now lay exposed as humanity is poised to ascend like the proverbial phoenix out of babylon’s ashes. I imagine that it would be of interest to Djehuti as God of Writing to follow in linear-time the prophetic trajectory of the Genesis-to-Revelation Gutenberg-pressed narratives during their instrumental role in the receding Age of Pisces…
Djehuti himself prophesized that the vibe of this global 3D matrix in its “Old Age” would be one of a demonic brand of chaos in need of 5D+ redemption. Characterized by collective responsibility, creativity, empathy, and harmony with nature, the so-called “New Age” of Aquarius looks to me like a return to the ancient orally-based traditional value-system many in humanity’s Motherland refer to as ubuNtu – “I Am, because We Are.” Ancient aboriginal traditions around the world also convey similar precepts in their cultural practices. 
As we enter this Next GeneSis, I can’t help but wonder…
- Perhaps this is why the bible seems to present a divergent Tale of Two Edens: (i) The egoic, dictatorial, wrathful & misogynistic God of the Genesis narrative, in stark contrast to (ii) the SoS [Song of Songs] narrative where Spiritual Communion is embodied by and expressed thru Divine Masculine-Feminine Twin Soul Counterparts who Evolve & Ascend in their respective challenging Journeys away from the fractured 3D-matrix mirror of Humanity in its inevitable “fallen” state…
- Could this be read as a Tale of Two Timelines – the Gutenberg Bible’s Euro patriarchal “Genesis + Savior” [= the lower Age of Pisces colonizing frequency] versus the Song of Songs [the higher ubuNtu / Age of Aquarius free-quency of its “Black & comely” protagonist leading the way out of a prophetic “Wilderness“]? In which case, could the chaos of the current “2nd Coming” to the Oval be interpreted as bringing about this Rupture (vs “Rapture”) Separation of Timelines @ Djehuti’s prophesied “Old Age“ of the Piscean World Order?
- The clues may well lie in the conjoined Tale of Two Rivers – as deeply Native American as it is BaNtu/Human. This tale is enshrined in the sacrality of Misi-Ziibi [Ojibwe/Chippewa native river name] as the N⇒S reflection of Africa’s S⇒N flowing Nile River – Earth’s mirror of Heaven’s Milky Way⇔Maziwa Mkuu [Swahili river name meaning “Great Milk”]. Informally referred to as “Old Man River,” the name of African Goddess “Isis”/Auset/”Ole Miss” remains encoded in “Mississippi” – the river’s current formal designation. Wynton Marsalis famously said that “The bloodlines of all important American music can be traced to Congo Square” [New Orleans, LA]. While BaNtu Saints from Congo & Angola profoundly shaped American cultural expression nationwide & globally from their enslaved conditions in Mississippi River Delta neighborhoods, the Mystery of “Isis”/Auset & Ausar/”Osiris” – whose “Temple of the World” throne was usurped from the Nile Valley Delta – may manifest some eternal promise along this profound Ancestral Path…
- The wisdom of humanity’s Africa-Centered Cosmos repeatedly tells the Tale of Twin Souls, in which the 5D+ Water Bearer, hence Primary Custodian of Humanity’s Core Soul Narrative is understood to be the Divine Feminine Seeker/SaNgoma Auset… Navigator of Nature/Humanity’s Medicine Wheel. In concert with Ausar, Her Divine Masculine Counterpart, Custodian of The Temple of the World, & Mirror of Its Sacred Mysteries …Truth, Divine Order, Balance, Harmony, Reciprocity, Justice, & Reparations are co-manifested as each consort walks their unique, yet Unity-Conscious Heaven-on-Earth Path. As Divine Feminine Consort to Djehuti [God of Hieroglyphics/Holy Writing],
Auset… [in her modality]as Ma’at also represents the antithesis to Set – god of foreign usurpers, chaos & plagues… Masculine’s shadow/trixter/lower self reflecting externally-imposed misalignments within Their Mutually Sacred Nucleus. Purged thru Heaven’s Lessons towards “Knowledge Of Nature & Self,” both Resurrect, Merge, & Ascend into Their Unique Conjoined Expression of Humanity’s Highest Eternal Core Complement [ΑΩ]:One Soul Nucleus within whom ubuNtu… [in its SoS modality]as Eden, Is…Rising! Blessed Be ❤ ❤ ❤
Malaika Mutere 
Woo, 🤔 remaining neutral in all activities, especially when emotions are involved, is probably the hardest but necessary act humans can achieve. 🩷
Agreed, Sis🩷Staying centered is a conscious act… for me, a daily exercise of re-membering. Peace & Blessings 🙏🏾🕊️ M
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