From ancient times to the present day, Africa’s collective imagination has to one degree or another been influenced by the leopard as a symbol of its cultural and spiritual potency. The black panther is the melanistic color variant of leopards in Africa, so perhaps the phenomenal success of the movie of the same name can be used as a current barometer of that potency. North, south, east, west, and diaspora – the leopard is a powerful symbol of African warriors, sages, magicians, priests, gods, goddesses, queens, and kings. In West Africa, sculptures from Ife and Benin portray the leopard as a symbol of wisdom. This statue from ancient North Africa depicting King Tutankhamun riding through the underworld on the back (more…)
Posts tagged ‘Sekhmet’
Queen Nyabingi is one of several likely inspirational fonts for Marvel’s comic book renderings of Wakanda’s Dora Milaje, an elite group of female bodyguards who will soon be slaying on the silver screen [2/16/18] in Ryan Coogler’s directorial rendition of Black Panther – the movie. Though fictional, Marvel’s African kingdom of Wakanda is geographically situated around the source of humanity’s genesis, which happens to be where the legendary Nyabingi greatly impacted history as well as our pathways to a pan-African consciousness. A real-life fusion of warrior-queen archetypes that arose in the ancestral Nile River mythologies of Khemet, Goddess Nyabingi’s spirit also lives in the diffusion of beats and flows that birthed hip-hop in today’s diaspora. (more…)
The biggest night in show business is the annual Academy Awards show which pulls in a television viewing audience of 40 million (give or take). It’s where the Academy of Motion Picture Arts and Sciences (founded in the 1920s) recognizes the merits of its most talented artists/craftspeople and honors them with a golden idol, a statue whose nick-name Oscar means ‘divine spear.’ The specter of Hollywood as an ideological battlefield where dreams and stories as cultural artifacts fight, bleed and die for acceptance in the dream factory run by mainstream [white] gods is not farfetched from the industry’s competitive, often cut-throat reality. Harsher still are the ironic implications of the Oscar award itself whose form (more…)
Hwt-hr is the Kemetic version of Hathor, meaning ‘Mansion of Heru.’ Indeed, as Heru’s divine consort, Hathor is regarded as the sky in which he – as the sun god and “Djedi Sky Walker”/ Dancer – dwells. Hathor is worshipped as goddess of music, dance, beauty, fertility, childbirth, women, children and foreign lands who personifies feminine love, joy, motherhood, and nature in general. Women particularly aspired to embody this deeply loved goddess’s conjoined roles as wife, mother, and lover which gained Hathor the titles of ‘Lady of the House of Jubilation’, as well as ‘The One Who Fills the Sanctuary with Joy’.
Waset – meaning “City of the Scepter” or alternatively “City of the Set” – was the Kemetic/ancient Egyptian name of Thebes, the Greek designation for the fourth Upper Egyptian nome along Africa’s Nile River. In the religion of Kemet (meaning land of the Blacks), Set (Seth in Greek) was god of the desert, storms, disorder, violence and foreigners… the quintessential antagonist. The Was scepter on the other hand represents the power and dominion of gods, pharaohs, and priests over such an enemy presence. Amplified by amulets such as the ankh (key of life) and the djed-pillar (god’s backbone/stability), the Was scepter is a symbol of truth, order and control over the forces of chaos that Set brings in. Amun, Mut and Montu/Khonsu – commonly referred to as the Triad of “Thebes” – are introduced in this post as a divine representative unit of dominion over chaos established in their pre-Graeco, African context of Waset. Language can act as a cultural tool and/or weapon, depending on where one is centered… (more…)