REENTRY ’23: Hwt~Hr
SKIPPER’S LOG ENTRY DATE: January 13, 2023 [Gregorian] <=> May 5, 2015 [Ancestral] STARPORTAL MISSION: Restoring humanity’s navigational settings to their organic space-time co-ordinates @ Earth’s Ma’atrix… Temple of the World… The Womb of Time… Hwt~Hr… in accordance with the following data:
- Hwt-Hr ~ in the most ancient Africa-centered sense means House or Mansion of S/Heru… everywoman’s Divine Womb where human lives are seeded, gestated, & eventually born into the 3D Circle of Life through Hwt-Hr‘s Portal. This evolutionary outcome is the first in a series of S/Hero‘s Journey cycles through Mysteries & Portals that this newly created Life will yet encounter. For chosen primordial beings of light, these Journeys will be about merging, remembering, awakening, ascending, reactivating, & completing their soul’s mission in this particular 3D sojourn. So, if in review 2022 felt like Humanity collectively reached a point of critical mass on key levels of consciousness, it was likely Mother Earth’s preparation, through these primordials, for 2023… A Year of re-Entry.
- Hathor [Hwt-Hr] is such a being whose name and Goddess characteristics were originally ascribed in Kmt (ancient Egypt) where there are 3 profoundly related aspects to Her worship:
- (1) As Goddess of Music, Dance, & Beauty Hwt-Hr was referred to as: “Bearer of the Sistrum… Queen of the Dance… Mistress of Music… Queen of Harp Playing… Lady of the Choral Dance… Mistress of Inebriety Without End… The One Who Fills the Sanctuary with Joy… Lady of Fragrance… Lady of the House of Jubilation… Hathor’s priestesses and priests were musicians and dancers whose rituals of worship entranced & entertained as they filled the sanctuary with the sounds of song, drumming, & various other instruments such as lyres, pan-pipes & sistrums – rattles that were sacred to Hathor. The sistrum‘s rattle, which reportedly sounded like “the cackling of geese or the rustle of papyrus flowers,” helped create a sonic shield of protection against wrathful deities such as Set.
- (2) As Goddess of Fertility, Children, Birth, & Women Hwt-Hr was referred to as “the Goose that laid the Golden Egg… Milk of Life… Celestial Nurse…” As such, she was regarded as the fertility aspect of Auset – wife of King Ausar who was murdered & mutilated during his jealous brother Set’s evil coup of Heaven-on-Earth’s throne.
The pieces of Ausar’s body were scattered in the “wilderness” [aka the colonized African Continent & its Diaspora], the 14th of which is symbolized in the ancient Tkhn and remains key to humanity’s unresolved Mystery that widow Auset must resolve in Her Shero’s Journey & role as Divine Seeker. Auset’s posthumous conception of their son Heru/Hero (who grew up to avenge his father & reclaim Kmt’s throne in this archetypal narrative) was translated in biblical text as the immaculate conception of Christ.
- (3) As Goddess of the S/Hero’s Journey, Foreign Lands, & the Circle of Life Hwt-Hr was referred to as Lady of the Sycamore of the South… Lady of the West (direction of the setting sun/‘death’)… Mistress of the Necropolis… Lady of the Tomb… She who is Adorned with Stars…” As “Lady of the Sycamore of the South,” Hathor used milk from Her
Mother Tree to restore sight to Heru after one of his bruising battles against antagonist Set (usurper of Ausar’s Heaven-on-Earth throne). “His eyes are as the eyes of doves by the rivers of waters, washed with milk & fitly set.” [SoS 5:12 KJV]. A spell in the Book of the Dead names the Seven Hathors – AKA 7 Sisters or Pleiades star system – of the Taurus Celestial Herd/constellation. The 7 Hathors are said to question & assist the soul’s Circle of Life journey, which is accompanied in death by the sky-bull [Ausar/Taurus] who’s joined the Hathors in their cow form. Hathor “Lady of the West” appears on sarcophagi as Portal & Protector in the great beyond.
- Hathor’s epithets & symbols are consistent with the deepest Mysteries of Africa’s oral-aesthetic traditions in which “music” (enhanced speech) is understood to act as nommo – the generative power of the word… the seed. As such, orality represents the masculine co-creative agency of Heru the Elder (Hathor’s Divine Masculine counterpart), who depends on the Divine Feminine’s regenerative resources in His grand progression & evolution through Life’s circle.
Referred to as The Womb Of Time, Hathor’s temple at Dendera on the west bank of the sacred Nile River is where the Goddess is worshipped as the personification of feminine love, joy, & sensuality in Her conjoined roles as spouse, lover, divine womb, life portal, & nurturing mother. Facing the direction of the Nile-Star & Spiritual Sun Sopdet’s rising, Dendera Temple itself was a nourishing space for healing, learning, & birthing. It housed a sanatorium with magic bathing waters & a sacred well; labs where ceremonial perfumes were concocted; a papyrus library; a birthing place; & chapels devoted to the mythologies of Auset~Ausar~Heru…
- Rising from the earth/floor & holding aloft the heavens/ceiling, Dendera Temple’s pillars symbolize the shaft of the sistrum – Hathor’s sacred instrument. Atop each pillar is Hathor’s face, portrayed symbolically as the womb/uterus – the Divine Feminine’s co-creative organ – its fallopian tubes depicted as elongated ears through which she receives sound… word… seed… nommo. As co-manifestor, Heru – who helps frame & uphold the heavens per the
Dendera Zodiac [right] – is master-musician to Hathor, each Divine co-creator highly attuned to the other’s freequency [UbuNtu] & subsequent resurrection modalities of their celebrated Re-Entry… 
Similar to the annual Feast of Opet that was staged between the southern and northern sanctuaries on the Nile’s east bank of God/dess consorts Amun-Re/Mut was the ‘Beautiful Feast of the Reunion’ (Hab Nefer en Sekhen) between God/dess consorts Heru/Hathor. The name Hwt-Hr (‘mansion of Heru’) became fully illumined through the fertility rituals surrounding their annual conjugal visit & Reunion Feast which entailed Hathor being sailed upstream on the Nile River from Dendera to Heru’s Temple at Edfu, also on the west bank, accompanied by a mix of musicians & other creatives who were priests of the goddess.
Celebrations surrounding Hathor’s arrival included offerings of myrrh, aromatics, & sistrums (her sacred instrument) as well as hymns encouraging her to unite with “He of Dappled Plumage.” Harvest-related elements included offerings to the Divine Ancestors; the ritual harpooning of a red hippopotamus [representing enemies of the state – Set]; & the release of 4 geese (Hathor’s sacred bird) on the 2nd day of the feast to bear the news that Heru had received the Double Crown.
- The Double Crown, called pschent or sekhemty (the ‘Two Powerful Ones’) was worn by ancient leaders of Kmt to symbolize the unification between South/Upper & North/Lower kingdoms which, in current pan-African space-time refers to earth’s southern & northern hemispheres. In Kmt the white Hedjet & red Deshret crowns were symbolic of South & North respectively, denoting a productive unification between Divine Feminine & Masculine – the ‘Two Powerful Ones’ –
which the ankh also conveys as the Key of Life. As Divine God/dess Counterparts, each represents complementary co-creational forces that explain & necessitate each other and – from their higher vibration – inform & uphold the structure & harmonious workings of the universe. Indeed, following the close of the Edfu festivities, Hathor traveled back to Dendera, gave birth to Heru’s fully formed seed, their child who was portrayed as a naked sistrum player & celebrated as God Ihy or alternatively as Heru-Sema-Tawy.
- Sema (“Speak/Say!” in Swahili) means ‘to unify’ & Tawy means ‘the Lands.’ Nommo/seed (masculine) planted in the lands (feminine) is understood as UbuNtu in Africa-centered unity-conscious oral-aesthetic modes of creation, expression, & social evolution. The unification of South & North Kmt that began in the Early Dynastic Period under Pharaoh Menes aka Narmer in 3100BCE used the distinct
Sema-Tawy symbol of a human trachea/windpipe rising from the heart chakra entwined with the lotus (South) & papyrus (North). The Double Crown represented a leader’s consciousness of & promise to uphold the constitutionality of that arrangement during their rule. Narmer‘s was the first of 30 successive dynasties which ruled & maintained civil order through a centralized government from the unified capital of Men-nefer or Memphis.
- Hwt-Hr/Hathor’s depiction as the Goose that laid the Golden Egg shows a lotus plant wrapped around Her neck. The lotus plant symbolizes the Nile’s southern source & humanity’s womb in the sentient heart of Africa whose gifts, transported on the sacred river’s northward flow, facilitated the flowering of ancient Egypt & Mysteries of Life, Death, & Resurrection that were documented on papyrus scrolls & taught in temples.
As ‘Lady of the West’ it’s of no small significance that both Hathor & Heru’s temples are on the west bank of the sacred river where royal burial sites [pyramids, Valley of the Kings, Necropolis of Thebes…] are strategically located. The sun’s eastern rising & western setting was seen in relation to the sacred Nile River Ma’atrix as the world’s Womb of Time/Prime Meridian within whose grand design Humanity’s Axis Mundi, Mysteries, Navigational Settings, True Compass [N-S-E-W], Divine Order, & Constitutional Balance are encoded… ‘As Above, So Below.’ - Of this grand design, God Djehuti asks: “Art thou not aware that Kmt is the image of heaven, or rather, that it is the projection below of the order of things above? If the truth must be told, this land is indeed The Temple Of The World…” These ancient lands where monomyths, god/dess archetypes, protagonists & antagonists alike assumed their original narrative form, remain embedded within our collective S/Hero’s psyche as we Journey through the south-north hemispheres of life’s expanded theater.
Djehuti went on to lament a time when this Temple of the World – the Nile Valley Ma’atrix – would be forced out of its sacred alignment with the Heavens, becoming “filled with strangers [&] widowed of the Gods…: To thee I cry, O most sacred River, to thee I announce the coming doom!… [Kmt]/Egypt, once the holy land beloved of the Gods and full of devotion for their worship, will become the instrument of perversion, the school of impiety…” 
Set (antagonist… God of the desert, foreign oppression, storms, chaos, disorder, perversion, & violence), came at the Temple of the World as prophesied, with comprehensive & devastating European agendas of slavery, colonialism, apartheid… all racist & misogynistic enterprises that plundered & scattered Africa’s human, natural, cultural, & spiritual resources, and misaligned humanity’s organic space-time settings around a Europatriarchal axis & false matrix.- At the doorstep of a new Gregorian year where (amongst other places) the chickens are home roosting, we’ve become enlightened about certain “facts” that fail to add up – such as the Eurocentrically designated year of “2023.” Today, January 13th, 2023 is the
Gregorian/Catholic version of May 5th, 2015 on the ancestral calendar of the Orthodox Tewahedo Church of Ethiopia – the one African country that the European powers gathered at the racist 1884 Berlin Conference [aka Europe’s ‘Scramble for Africa’] failed to colonize as an add-on to slavery. 
According to expert scholars, the critical difference between the two religious calendars has to do with their divergent calculations & narrative regarding ‘THE ANNUNCIATION’ – originally recorded in the throat area of Ipet-Resyt [click picture for video link @1:17:20] – God/dess Amun/Mut’s “Southern Sanctuary” in humanity’s Temple of the World. Following their interpretation & appropriation of this ancient Mystery, the Roman Catholic annunciation became a visitation between ‘Angel Gabriel’ & ‘Mary,’ & the official Gregorian calendar reset of global space-time around her ‘virgin birth’ to ‘Jesus’ – calculated to make “all roads lead to Rome.” Ironic then that Italy was unable to colonize Ethiopia, making her Africa’s oldest independent country.
Another major glitch of the matrix space-timeline is in Europe’s recalibration of “point-zero longitude” to Greenwich [GMT] in England, over 30 degrees west of humanity’s organic Prime Meridian & equatorial source. The point at which zero degrees latitude & longitide should intersect is not over the Atlantic slave trade route, but over the body of water misnamed for the Grandmother of Europe who presided over her country’s continued craven ‘Scramble for Africa.’ Victoria – whose length of reign as Britain’s monarch [1837-1901] was surpassed only by great-great granddaughter Elizabeth II [1952-2022] – is ancestor to Charles III whose scheduled coronation is on May 6, 2023 [Gregorian] & William who inherits his narcissistic colonial sense of entitlement to Africa as Britain’s future monarch. Meanwhile, KC3 & company will keep the fancy costume show going with its bedazzling collection of “official” family wealth (pillaged & other) as he presides over GMT & a shrinking Commonwealth – vestiges of a gluttonous & deceptive Eurocentric space-time matrix.
- Unattended wounds on Humanity’s womb bear the family names of Her colonial violators: ‘Victoria… Albert… Edward… George…’ Substituting these names with those of African dictators who subscribe to Set’s same playbook simply compounds the problem. Lake Mobutu Sese Seko is a non-starter as a post-colonial reclamation of Lake “Albert” – originally Lake Mwitanzige – which, like Lake “Edward” (locally Rweru), lies on the nonsensical colonial divide between Uganda & Democratic Republic of the Congo.
Lake “George” (originally Lake Katunguru) lies in a National Park that remains named for Elizabeth II [queen since 1952] over 60 years after Uganda’s independence from Britain in 1962, the last 36+ years presided over by the 9th & current post-colonial President Yoweri Kaguta Museveni [1986-]. - Set’s Victorian teat has made sleeping giants of us all, dispensing propofol even as sentient Mother Earth expresses Her displeasure through global warming & other organic disorders. Nchi za Maziwa Mkuu – Swahili meaning “Countries of the Great Milk” – recalls Djehuti’s Temple of the World reference to Nile Valley lands as earth’s reflection of Heaven’s Milky Way. Known in Tanzania as Nyanza & in Kenya as Nam Lowe (both local names meaning Body of Endless Water), Uganda’s original name for the southernmost sacred womb of the Nile River is Nnalubaale (meaning Home of the Gods).
And in the Bunyoro kingdom directly north of Toro where Lake “Albert” is located, the hereditary Royal title, Omukama, literally means ‘supreme milk-bringer’ or alternatively ‘King of kings.’ This primordial wisdom is encoded in African folklore, geography, & astronomical bonds… cultural DNA that humanity can no longer afford to remain colonized at Her equatorial wellspring. - The Nile is earth’s longest river, traveling well over 4,000 miles northwards through 11 African countries – Nchi za Maziwa Mkuu: Kenya; Tanzania; Uganda; Rwanda; Burundi; DR Congo; Ethiopia; Eritrea; South Sudan; Sudan; & Egypt. Khartoum, Sudan is where the White Nile meets the Blue Nile (sourced by Lake Tana in Ethiopia) to flow as one sacred river towards the Mediterranean Sea. Its southernmost womb is also source to the Congo River Basin whose waters flow into the Atlantic Ocean. Linked in BaNtu mystery, memory, & song as “…The Drinking Gourd”
– a coded astronomical reference which directed enslaved Africans towards freedom on America’s Underground Railroad – the cultural practice of water drumming came into being in this complex river basin. - Most of humanity have been misled into a profound sense of isolation, alienation, & disorientation because of Set’s [prophesied] hijacking of Heaven-on-Earth relationships from the Temple of the World, Ma’atrix, and Womb of Time. The Dendera Zodiac, stolen from its original ceiling location in Goddess Hathor’s temple, confounded France’s best scientists, astronomers & mathematicians regarding celestial events within the constellations depicted on the artifact, including the movement of Sopdet – Hathor’s Nile Star.
The church was troubled by the probability of the Dendera Zodiac being thousands of years older than the biblical “creation” date, a concern compounded by the original ‘ANNUNCIATION’ recorded in the throat area of Ipet-Resyt [now Luxor Temple] – “the southern sanctuary” to Ipet-Isut [now Karnak Temple] – God/dess Amun/Mut‘s northern sanctuary whose name means “the most select of places.” - Sheru’s CALL: “Make haste, my beloved…” [SoS 8:14] #NAKUMBUKA #UBUNTU
- Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?… [SoS 6:10] Return, return, O Shulamite; return, return, that we may look upon thee… [SoS 6:13]
“Only the black woman can say ‘when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole …race enters with me.” [Dr. Anna Julia Cooper, 1892]- Heru’s RESPONSE: “Behold, I come quickly; hold that fast which Thou hast, that no one take Thy Crown” [Rev 3:11]
- STATUS: Standing by for Re-Entry… #13O31… Blessed Be ❤ ❤ ❤
Black Panther: Wakanda Forever – the long-awaited and highly anticipated sequel to 2018’s Black Panther, which starred the late great Chadwick Boseman in the titular role, finally premiered on 11/11
reimagined in the scene of T’Challa’s visit to the ancestral plane in BP1. Each ancestral figure (Tut’Ankh’Amun, Ausar & Amun himself) for me is invoked in the unscripted/5D metaverse of Coogler‘s BP2 silver screen treatment – a presentation some found lacking in Wakanda‘s unfortunate dearth of strong Black male representation (shout-outs to M’Baku!) & its 
Queen Elizabeth II – great-great granddaughter to 
Britain’s longest reigning monarch died later this year on 9/8/22, during her annual stay at Baalmoral Castle in Scotland. The lengthy observances that followed included a centuries-old “breaking The Wand Of Office” tradition, symbolizing the end of a monarch’s sovereign status. At QE2’s funeral on 9/19, the pieces of The Wand which was broken by her Lord Chamberlain, Andrew Parker, were placed atop the coffin as it was lowered into the ground. The controversial Crown Jewels – including the 
Jealous, greedy & ego-driven, Set was the usurper of Kmt’s Heaven-on-Earth
although 11/11 is observed in 
Per-ankh – “Houses of Life” 
Resembling the human form in repose, the Luxor Temple’s unique design itself appears symbolically dedicated to resurrection and reparation of the sovereignty of truth, life & unity-consciousness… an architectural ‘body’ on Mother Africa’s Earth, poised as if to awaken and rise to Her Heavenly Twin.
The Beautyful Ones Are Not Yet Born, Ayi Kwei Armah’s debut novel (published in 1968), owes its title to the misspelled inscription on a bus in Ghana where the story is set. It opens during the final months in 1965 of President Kwame Nkrumah’s rule as Ghana’s first post-colonial president, and closes with the coup that ousted him on February 24th, 1966. This period in Ghana’s history is filled with rampant poverty; overdependence on foreign capital and goods; corruption & bribery as the order of business; and other ills that have plagued Africa’s countries which followed Ghana into independence – all without the needed systemic changes that would mitigate the stagnation and disillusionment of Africans who’d only become inevitably ensnared in parasitic neo-colonial arrangements. Immersing his characters in putrid filth, rottenness, dirt, and scatological imagery as he airs out Ghana’s post-independence laundry through story, Armah leads the reader to the judgment on the novel’s final page – the misspelled bus inscription that becomes its title.
In his preface to a new edition of the novel published by Per Ankh, Ayi Kwei Armah himself makes note of the criticism his novel received: 
The phrase ‘The Beautiful One’ is ancient, at least 5,000 years old. To professional Egyptologists, it is a praise name for a central figure in Ancient Egyptian culture, the dismembered and remembered 
For conceptual context, Armah could well have used another renowned ancient Egyptian figure whose name means “the beautiful woman has come.” 
The links between Egypt and Ghana go further than a background concept in Ayi Kwei Armah’s mythologically-based authorial imaginings. Fathia Halim Ritzk – a Coptic Egyptian who’d taught French prior to taking a job at a bank in Cairo – became First Lady of a newly independent Ghana when she married
Despite her mother’s refusal to bless their union, Fathia’s marriage to Nkrumah took place at
Titled after Ayi Kwei Armah’s book, The Beautyful Ones Are Not Yet Born is also a 1991 
In a scene from his 1984 movie, Purple Rain, Prince delivered an unforgettable performance of a song titled 
Perhaps, as 
“Our Father which art in Heaven…” So begins 
Below are words representing the resistance, wisdom & sovereign character of some of these African patriarchs:
“The term Greek philosophy is a misnomer, for there is no such philosophy in existence. Ancient Egyptians had developed a very complex religious system, called the Mysteries, which was also the first system of salvation. As such, it regarded the human body as a prison house of the soul, which could be liberated from its bodily impediments through the disciplines of the Arts and Sciences, and advanced from the level of a mortal to that of a God.” [George G.M. James – Guyana]
“In ancient times “African” and “Ethiopian” meant the same thing: A Black” … “no matter what the factual data were, all the books written about Blacks by their conquerors reflected the conquerors viewpoints” … “It appears that from time immemorial, stark greed, the desire for wealth, has overridden all humane considerations. Greed has served as a kind of anesthesia, deadening humane sentiments and breaking the bonds of affection that relates man to man.” [Chancellor Williams – USA]
“Whoever is in control of the hell in your life is your devil” … “Racists will always call you a racist when you identify their racism. To love yourself, now is a form of racism. We are the only people who are criticized for loving ourselves; and white people think when you love yourself you hate them. No, when I love myself they become irrelevant to me” … “Every single thing that touches your life, religious, socially and politically, must be an instrument of your liberation or you must throw it into the trashcan of history” … “After the rise and decline of Greek civilization and the Roman destruction of Carthage, they made one area of the conquered territories into a province which they called Africa… At first the word applied only to the Roman colonies of North Africa. There was a time when all dark-skinned people were called “Ethiopians.” [John Henrik Clarke – USA]
“Live life as though nobody is watching, and express yourself as though everyone is listening” … “One of the most difficult things is not to change society, but to change yourself” … “As we are liberated from our own fear, our presence automatically liberates others” … “Resentment is like drinking poison and then hoping it will kill your enemies” … “I never lose. I either win or learn” … “Fools multiply when wise men are silent” … “May your choices reflect your hopes, not your fears” … “Action without vision is only passing time, vision without action is merely day dreaming, but vision with action can change the world” … “Poverty is not an accident. Like slavery and apartheid, it is man-made and can be removed by the actions of human beings.” [Nelson Mandela – South Africa]
On May 25th (“5/25”) 2020, two recorded events made headlines in Africa’s northern Diaspora. Both were horrific in the degree to which they were racially-charged and played out from the standpoint of white privilege and callousness against black lives. One was a blatant attempt to provoke a potentially dangerous police-confrontation against an innocent bird-watcher (
Unfortunately, such horrific occurrences as these are not uncommon, and the long list of African victims goes back to the era of slavery whose evils live on and play out in toxic ways from that unexorcised and overly-policed space which nonetheless claims to be the land and home of the free and brave. Officially commemorated as 
Amidst speculation in certain quarters about a great Return and global re-set around that event, I find myself longing for the organic frequency I imagine existed before the last great patriarchal re-set around the ‘matrix’ of a Mediterranean world. In Gregorian year 2022, a rogue virus and its variants continues to familiarize the entire world with the Greek alpha-bet 
philosophy of the organic frequency Earth itself needs, to reclaim her most pristine alignment between the heavens, nature, humanity’s womb, and 
Tekhenu/Tkhn originated in ancient Africa as tall monoliths that were architecturally structured to rise from a square base, all four sides tapering upwards towards the pyramidion at the very top. The first tkhn reportedly came into being during Kemet’s Old Kingdom Period [c2613-2181BCE],1 a time when two of the greatest architectural Wonders and Mysteries ever – the Giza Pyramids and the Great Sphinx – were also erected. All were deliberately designed and installed to connect earth organically to heavenly powers, with associated mythologies, proverbs, etc. that would guide true seekers/initiates
into ascending degrees of 
Malaika Mutere 