Ma’at ~ FeatherLight Libra
Malaika Mutere
MALAIKA MUTERE
She of 7 Points
African Goddess Seshat was referred to as Sefket-Abwy – meaning “she of seven points” – by Pharaoh Tuthmosis III (1479-1425 BCE). She wears a signature seven-pointed crown which has led to speculation about the hidden Africa-centered significance of the crown which adorns Lady Liberty’s head and her symbolism as a whole. Standing tall with words of welcome on Manhattan’s Liberty Island in New York, the statue itself was brought as a gift from France in 1886 
to strengthen democracy and bilateral alliances following US Civil War gains and the end of slavery.
The initiative was launched by abolitionist and Chair of the French Anti-Slavery Society, Édouard de Laboulaye. Frédéric Auguste Bartholdi was the sculptor.
A proverb from Ipet Resyt (“the southern sanctuary” built for God/dess consorts Amun/Mut) says: “Lacking images, people invent idols… Better to found images on realities that lead the true seeker to the source.”
Seshat is the African goddess who represents the consciousness of an order likely superior to the 3D matrix of knowledge that was installed and is currently governed by a patriarchal elite. Represented in Kemetic mythology by Set [god of the desert, storms, disorder, violence, chaos, & foreign oppressors] who destroyed Heavenly order when he usurped Kemet’s throne after murdering and dismembering King Ausar – this trauma-based matrix is now said to be in its death-spiral. Humanity has experienced this matrix as slavery, colonialism, racism, apartheid, misogyny, pedophilia, thievery, rape, & the false controlling narratives of white patriarchy. Alternatively, Set represents the dysfunctional shadow poles of the Masculine versus a potential, fully incarnate Divine King, Warrior, Magician, & Lover. Seshat’s crown is one of several potent African symbols of Divine Feminine power which speak to how, when, and where She, as Ma’at, enters to help re-pair, anchor, & balance Divine Order from her own sovereign, fully incarnate truth – complementary to that of the Divine Masculine.
Seshat ~ Point #1… “SCRIVENER” is the meaning of Seshat’s name. Sesh, meaning ‘writing’ was a communication technique using hieroglyphs (Greek, meaning ‘holy writing’) which, according to Kemetic legend, were created by god Djehuti. Djehuti passed the skill on to select scribes (typically men) to aid, he believed, in the development of wisdom. The god Amun-Re disagreed with this premise, saying that written documents would weaken people’s memories and ancestral wisdom that was organically passed down through generations, nature and oral tradition. As a proverb from IpetResyt advises: ‘Images are nearer reality than cold definitions.’ Hieroglyphs, the oldest and more pictographic form of writing, over time evolved into Hieratic and then Demotic scripts as scribes worked to simplify the writing process itself. Each efficiency-upgrade in writing as a communication technology meant an increased abstraction (hence “alienation”) from the organic world, as Re might have feared. This trend has continued up to the highly abstract western alphabet of the present-day, which has been characterized as ‘aggressive’ by communication scholars such as Marshall McLuhan. Goddess Seshat stands at the crossroads of this communication debate vis-à-vis Divine Order…
Seshat ~ Point #2… “RECKONER OF TIME/YEARS” – God Djehuti, whom Goddess Seshat appears to mirror in her attributes, is credited with creating the ancient Egyptian calendar which forms the basis of the ancestral 13-month calendar used in the Horn of Africa where the current year is “2012.” The Gregorian calendar (after Pope Gregory XIII) – a reformed Julian calendar (after Julius Caesar) – forms the basis of the main western calendar where the current year is “2020.” Seshat’s lunar-based time-reckoning and recording skills were used in service to royal and religious leadership and concerns such as life-spans, length of reign, appropriate scheduling of ceremonies and rituals… some of which she and Djehuti would record on the sacred ished – the Tree of Life at Heliopolis – which was said to hold eternal knowledge of the Divine Plan. Goddess Seshat stands at the crossroads of competing space-time frequencies and a Divine Age of Aquaria schedule…
Seshat ~ Point #3… “MISTRESS OF THE HOUSE OF BOOKS” – Among Seshat’s duties was her role in the temple Library of the Gods which housed the works of Khemet’s foremost scribe and alkhemist, Djehuti. She was Djehuti’s personal librarian and keeper of his spells (called hekau) and writings. Djehuti’s canon of writings includes the Emerald Tablets and 42 Books of Knowledge on all matters connecting the heavens and the earthly realm, with a forewarning about the fall of Khemet to outsiders – represented in mythology by Ausar’s murderer Set. After pieces of Ausar’s body were retrieved, reassembled and mummified by his widow Auset, it’s said that Seshat helped cast Djehuti’s resurrection spell for Ausar’s missing 14th piece which enabled the posthumous conception of Heru. 
This event was appropriated and translated in later biblical accounts as the Immaculate Conception of Jesus. The ‘t(kh)n’ hieroglyph for obelisk – architectural symbol of Ausar’s resurrection – is the identical word and spelling for ‘to beat a drum’ or ‘musician,’ which connects organically to African oral traditions… our collective Akashic Record or Book of Life.
Seshat ~ Point #4… “FOREMOST OF THE PER-ANKH” was the prestigious title bestowed upon Seshat and god Khnum – ram-headed potter and guardian of the Nile River source. ‘Per-Ankh’ were ‘houses of life’ attached to temples where libraries were housed and where knowledge, considered sacred, was attained. Given her proximity to Djehuti, of whom it was said that without his words the gods themselves would not exist, Seshat’s footprints can be traced through those of the ‘Shulamite’ in the biblical Song of Songs. 
(Shul, Yiddish for “school/synagogue” is related to shule/scuola in German; schola in Latin; and skholḗ in Greek – all meaning “school”). The term ‘Shulamite’ as emphasized in this particular book suggests that the “black and comely” female protagonist is highly educated. How different biblical Revelation would be with Seshat as the ascended True Seeker & Genesis recalibrated to the Song of Songs!
Seshat ~ Point #5… “GODDESS OF ARCHITECTS & BUILDERS” – Though there were no temples built for the worship of goddess Seshat, she is paid homage for her prominent role in the foundation of major Khemetic temples in Heliopolis, Edfu, Abydos, Dendera and elsewhere. The temple of Horus in Edfu (c.237BC) has the inscription: “I take the measuring cord in the company of Seshat. I observe the progressive movement of the stars. My eye is now fixed upon Meskhetiu. The god of time-keeping stands by me, in front of the merkhet. Then, I have established the four corners of the temple.” Meshketiu, the ‘Big Dipper/Plough’ of the constellation Ursa Major, 
was known as ‘the Drinking Gourd’ by Africans who followed the North Star to escape slavery on the Underground Railroad. The merkhet was the instrument that oriented the harmonious alignment of temple foundations with the heavens, according to principles of sacred geometry…
Seshat ~ Point #6… “PANTHER GODDESS” – Besides her signature 7-pointed crown, Seshat’s dress is made of panther skin which can denote royalty status within the Nile Valley reflection on earth of the Milky Way, particularly at the source of the sacred African river in the BaNtu kingdoms of Buganda, Ankole, Busoga, Toro, Bunyoro, etc. There’s a sacred totemic relationship each of these Kings has with the panther, who is known in Buganda as Mayanja. Karamojong and Acholi warriors also wear panther skins as part of their regalia. 
In Khemet – “the gift of the Nile” – sem priests wore leopard skin garments in similar fashion to priests in Zimbabwe, southern Africa. King Tut’Ankh’Amun – the last of his royal family to rule during the end of Khemet’s 18th dynasty (c.1334 – 1325 BCE) – is famously depicted traveling through the afterlife on the back of a black panther.
Seshat ~ Point #7… “OPENER OF HEAVEN’S DOOR” – The mystery of Seshat is bound up with Africa and within the cultural codes of her 7-pointed crown… panther totems… sacred architecture… t(kh)n-ology… proverbial wisdom… the Nile Valley as ‘Temple of the World’… Ancestral vs. Gregorian timelines… ‘entry’- vs. ‘exit’-portals…
The mystery of Seshat is key to how we navigate the spaces between worlds in our ascension journey… decode the Song of Songs through Her dance… ‘Follow the Drinking Gourd’ via Her merkhet… exit Set’s 3D matrix of the elite’s false controlling-narratives through Akashic self-revelation… collapse slavery, colonialism & apartheid’s karmic cycles… and enter sentient Mother Earth’s true Ma’atrix to the Age of Aquaria / Age of Miracles / Golden Age / Heaven / Zion… return to UbuNtu…
As proverbs from Ipet Resyt state: “If the Master teaches what is error, the disciple’s submission is slavery. If he teaches truth, this submission is ennoblement… The kingdom of heaven is within you. Whosoever shall know Herself shall find it.” ❤ ❤ ❤
“Nakumbuka” 11/11 ~ The MA’ATrix Re-membered
“The Middle Passage” ~ Tom Feelings
‘Nakumbuka‘ means ‘I remember’ in Kiswahili. November 11th has been recognized as ‘Nakumbuka Day’ by the Pan-African Associations of America since 1994 when the first ceremony was held at San Diego State University in California. It was set aside as a day to remember the African victims of the European enslavers, colonizers and agents of genocide whose horrendous acts created a bloody trail of devastation and left families on the continent unable to lay their grief to rest after several hundred years. It has been estimated that the Middle Passage claimed upwards of 60 million African lives, not counting the huge losses on plantations in Europe, the Caribbean, North-, Central-, and South-America. In seeking free labor to build its empires, European and American Capitalism’s emergence crippled a continent and its descendants socially, culturally and economically during the timelines of African slavery, colonialism, and now neo-colonialism.
Historically, 11/11 marks the end of 20th-century hostilities during World War 1 between two main Western blocks: the Central Powers [Germany, Austria-Hungary, Bulgaria, Turkey…] vs. the Allied Powers [Britain, France, Russia, Italy, the United States…]. Their truce, an Armistice with Germany, formally went into effect on 11/11/11: the 11th hour of the 11th day of the 11th month of 1918 [100+ years ago]. In 1954, Armistice Day was renamed Veterans Day in the US, 
although 11/11 is observed in Commonwealth of Nations member states as Remembrance Day – aka Poppy Day – honoring veterans who died [8 million+] in this so-called War to End All Wars. WW2 followed in 1939 after “Germany, angry over war reparations imposed by rivals and eager for revenge, eventually turned to Adolf Hitler.”
Symbolically, the number 11 holds the dual vibration of Twins [Gemini], whose relationship acts as a barometer on the scales of Truth, Justice, & Balance [Libra] within this New Age we are said to have entered of Aquarius – the 11th House of the Zodiac. Helena Blavatsky and her disciple, Alice Bailey are credited with founding the so-called ‘New World Religion’ which, since its unofficial start on 11/11/11, has gained many New Age adherents. In The Externalisation of the Hierarchy [1957], Bailey prefaced her New Age spiritual advocacy with an extensive critique of the [Europatriarchal] World Wars: “Intense nationalism… [a] separative outlook… [and] selfish interests have controlled the reasons for which every nation has entered this war…” [p. 373-] 
Spiritually, 11/11 allows a sacred moment for grief over the harsh realities of war… lives lost which are formally given global remembrance from western stages. We ritually observe these post-war programs …our hearts made gentle through words, tears, bouquets, wreaths and lapel poppies, many worn in solidarity by non-European officials. Lest we forget, 40,000 African American troops of the 92nd and 93rd divisions saw battle during WW1 under French command. This distinction tends to be under-acknowledged in the self-indulgent discourse-of-power and narrative of a human community made ‘global’ through Europe’s wars, takeovers, and controlling narratives. Hopes for equal recognition in combat are marginalized alongside cries from slavery’s descendants for Reparations from the neo-colonial ‘matrix,’ as the intensely Eurocentric Poppy-Day program runs its annual sequel. Meanwhile, the spiritual free-quency of MA’AT-consciousness – Truth, Divine Order, Harmony, Balance, Justice, Reciprocity, UbuNtu… – will only be detained for so long as another casualty of war. At some point Africa’s cultural immune system has to recover from the induced state of sleep paralysis to reclaim its own narrative and sovereignty…
“MA’AT, who links universal to terrestrial, the divine with the human is incomprehensible to the cerebral intelligence… Peace is the fruit of activity, not of sleep… The key to all problems is the problem of consciousness… If you search for the laws of harmony, you will find knowledge… The best and shortest road toward knowledge of truth is nature… If the Master teaches what is error, the disciple’s submission is slavery. If he teaches truth, this submission is ennoblement… The kingdom of Heaven is already within you; if you understand yourself you will find it… The body is the house of the God/dess. That is why it is said, ‘Wo/Man know thyself’… By knowing one reaches belief. By doing one gains conviction. When you know, dare… You will free yourself when you learn to be neutral and follow the instructions of your heart without letting things perturb you. This is the way of MA’AT…” 
This selection of proverbs are from God/dess Amun/Mut’s Luxor Temple [pictured right], located on the east bank of Africa’s Nile River in Uaset. It is known as Ipet-Resyt, meaning “The Southern Sanctuary” which is connected via an Avenue of Sphinxes to the Ipet-Sut – “The Most Selected of Places” in Karnak, both dedicated to the worship of Amun-Re and His Godhood with Divine Feminine Consort, Mut. 
Per-ankh – “Houses of Life” were designated as spaces for education in such Khemetic temples because knowledge was considered sacred… a divine mystery of the balance between masculine and feminine co-creatives/Twins. Bound to nature and the cosmos for all time, these proverbial teachings are written in the stone [EWF] of Luxor Temple’s walls. “People need images. Lacking them they invent idols. Better then to found the images on realities that lead the true seeker to the source.” 
Resembling the human form in repose, the Luxor Temple’s unique design itself appears symbolically dedicated to resurrection and reparation of the sovereignty of truth, life & unity-consciousness… an architectural ‘body’ on Mother Africa’s Earth, poised as if to awaken and rise to Her Heavenly Twin.
In pop culture, this awakening is thematic to The Fifth Dimension’s 1969 ‘Age of Aquarius’ – prophetic anthem of a New Age which many believe dawned 42 years later, on November 11th, 2011 [11/11/11]. ‘42‘ is a number that is sacred to MA’AT, Goddess who serves to protect the world from chaos. [In today’s world this ‘chaos’ has occurred within the policed-state of an elite cabal’s Victorian/neo-colonial/false 3D matrix of control and mass-manipulation.] The Principles of Ma’at predate the ’10 Commandments’ as humanity’s oldest written sources of moral & spiritual instruction. Recorded in the Khemetic funerary Book of Going Forth by Day AKA Book of the Dead, these were based on 42 declarations made by Ani in the Hall of Judgment of his having lived in accordance with MA’AT’s principles, such as: “I have not done iniquity; I have not stolen; I have not made any to suffer pain; I have done no murder nor bid anyone to slay on my behalf; I have not spoken lies; I have not caused the shedding of tears; I have not dealt deceitfully; I have not lusted nor defiled the wife of any man; I have not caused terror; I have not done that which is abominable; I have not stopped my ears against the words of Right and Truth; I have not stirred up strife; I have not wronged the people; I have done no harm nor have I done evil; I have not worked treason; I have never fouled the water; I have not spoken scornfully; I have not behaved with arrogance…” [Papyrus of Ani – c.1250BCE]
MA’AT‘s consort is DJEHUTI, the Magician archetype of the Divine masculine with whom the Goddess creates the Balance & Harmony needed to prevent the universe from falling into chaos and disorder. Symbolized by her hallmark feather, the Truth MA’AT has found in her aspect as AUSET [proverbial ‘True Seeker’ and wife of Khemet’s beloved King AUSAR who was mutilated when SET – god of chaos and disorder – usurped his throne] is key to humanity’s awakening and ascension to Heaven-on-Earth. During her seeking, AUSET hears the cries of the downtrodden, children, her beloved [now god of the afterlife]… and responds with compassion and wisdom as she awakens, ascends, dances, re-members… #11/11… #UbuNtu… #Auset/Ausar… #Hathor/Heru… #Ma’at/Djehuti… #Mut/Amun [#Uaset/Sah]… #Nakumbuka… ❤
“End of The Road” ~ Tyka
Just.Beautiful. 💜 💜 💜 On a day when, as a daughter and sister, I give thanks for the precious and undying family bonds which continue to guide and sustain me from the infinite Beyond of our spiritual Being and Becoming… Thank you so much for sharing the message of “End of The Road” in your 6/7/17 commemoration and upload of this exquisite song, which continues to gift our ears and hearts with your warmly familiar and welcome Nelson Freequency, Tyka. 💜🕊️☮️
The Drinking Gourd
During America’s Underground Railroad era (1800-1865), Africans escaping slavery in the south knew through ‘map-songs’ that in order to Steal Away to Jesus, they’d have to Wade in the Water (to throw hunting dogs off their scent) and Follow the Drinking Gourd to freedom (“Jesus”). The Drinking Gourd was an African reference to one of the most ancient navigational settings between heaven and earth – the ‘Big Dipper’ constellation that pointed to the North Star and direction of their escape. Though there is considerable irony in African ancestral memory being masqueraded as Christian worship songs and the like, such survival tactics through traditional oral-aesthetic strategies had become necessary since the horrific Atlantic crossing when enslavers had disabled the capacity of the captives’ communication infrastructure by destroying their musical instruments.
Read More
“A Luta Continua”…
‘A LUTA CONTINUA’ (in English: the struggle continues) was the rallying cry of Africans fighting against Portuguese colonial rule in Mozambique. It originated during the armed struggle led by Dr. Eduardo Chivambo Mondlane, first president of the FRELIMO Liberation Front in the war for independence, who said, “We fight together, and together we rebuild and we recreate our country, producing a new reality – a New Mozambique, United and Freed. The struggle continues!” Following Mondlane’s assassination in 1969, Africans continued to rally around this slogan under the successive leadership of 
Samora Machel who went on to become the first president of an independent Mozambique in 1975. A luta continua is the unofficial national motto of Mozambique where the colonial language of Portuguese remains official. 
A Luta Continua is the title of a song popularized by South African singer and activist, Zenzile Miriam Makeba – who is fondly referred to as Mama Africa. The song was written for Makeba by her daughter Bongi – from “Sibongile” (meaning “we are grateful”) – after she attended Mozambique’s 1975 independence ceremony.
By the late 1950s Makeba had achieved musical fame in South Africa, and her appearance in the 1959 documentary film Come Back, Africa attracted the interest of Harry Belafonte and others in America. Her singing and recording career reached new levels of success in the United States, where she introduced Xhosa and Zulu songs to Western audiences. Makeba’s activism included support of Kenya’s independence from British colonial rule, whereafter she and Belafonte became VIP performers at the Independence Day celebrations at the invitation of President Jomo Kenyatta.
Makeba was the only performer at the meeting in Addis Ababa that led to the formation of the Organization for African Unity. She also testified before the United Nations Special Committee against Apartheid, asking for economic sanctions and an arms embargo against South Africa’s National Party government. This activity, along with the increasingly political content of her music caused the apartheid government in South Africa to revoke Makeba’s passport and ban her music, whereafter she lived in exile for 3 decades. In 1964 she married trumpeter Hugh Masekela, a fellow South African in exile and protégé of Harry Belafonte. Masekela wrote the protest song Makeba performed entitled Soweto Blues about the 1976 uprising in Soweto.
The 1960s saw Makeba’s involvement with Civil Rights, anti-apartheid, Black Consciousness, and Black Power movements grow. She married Black nationalist Stokely Carmichael [Kwame Toure] in 1968 (divorced 1979) who relocated with her to Guinea in West Africa. Encouraged by Nelson Mandela who had just been released from his 27-year imprisonment by South Africa’s apartheid regime, Mama Africa returned and performed in her home country for the first time since her exile in 1991.
Known fondly as “Aunty Dorothy,” Dorothy Masuka is often credited with composing one of Miriam Makeba’s most well-renowned songs entitled Pata Pata. The two songstresses were contemporaries, Masuka being born in neighboring Zimbabwe [then Rhodesia] in 1935, about three years later than Makeba, before emigrating to South Africa at the age of 12. Masuka spoke of the spiritual sources of her musical inspiration that often came in dreams from an early age, one of whom was her maternal grandmother, a sangoma [a respected traditional healer]. From the start of her career, Masuka endeared herself to a wide audience but the political content of her compositions such as Lumumba (of Congo) and Dr. Malan (an anti-apartheid song) led to her exile following the apartheid government’s ban over her recordings. Masuka continued to campaign through song for African liberation during her exile in Malawi and Tanzania, inspiring many including Makeba. Her work entitled Mzilikazi paid tribute to one of Emperor Shaka Zulu‘s greatest warriors who founded the Ndebele people of Zimbabwe and South Africa.
❤ Mamas, Aunties & Sista-Queens who hold up half the sky… Thank You… Sibongile ❤
Our Father’s House
“Our Father which art in Heaven…” So begins the Lord’s Prayer [Matthew 6:9-13 KJV], depicted here in hieroglyphs from the middle-Egyptian era [-2100 BCE]. “…Amen” – the ending of the prayer which means “so be it” – further invokes the ancient deity Amun who was worshipped in two major temples located in Uaset on the east bank of Africa’s northward-flowing Nile River.
God Amun, Goddess Mut, and Montu (son of the Annunciation) have the historical distinction of being the highly popular Triad of Thebes [‘Thebes’ being the Greek term for Uaset]. Ipet Isut – meaning “the most selected of places” – nowadays referred to as the Karnak Temple, is the Triad’s Northern sanctuary. Ipet Resyt – meaning “the Southern sanctuary” – nowadays referred to as the Luxor Temple, is the site of the Annunciation from Amun to Mut regarding Montu, the Divine Son She is destined to bear [click picture on the left for link @ 1:17:20].
“A house has the character of the man who lives in it” ~ This proverb from Ipet Resyt provides insight into religions which were later derived from such ancient Mysteries to the extent that latter-day belief systems did indeed assume the egoic character, cultural biases, and imperialistic agendas of Africa’s foreign patriarchal conquerors. As such, this prophetic proverb understates what would inevitably become Africa’s subsequent experiencing of the “religiously-justified” Euro-patriarchal ravaging of Her spiritual, natural, human, and cultural resources through slavery [1619-], colonialism [1884-] and apartheid [1948-]; desecrating the Nile Valley Temple of the World (per God Djehuti) and beyond, while deploying derivative religious texts to usurp God Amun‘s spiritual standing as Founding Father. His standing lives on in the emancipatory leadership of Africa’s latter-day fathers who have refused to be contained within the characteristically deceptive dictates of a predatory, yet parasitic, alien house. The false matrix. 
Below are words representing the resistance, wisdom & sovereign character of some of these African patriarchs:
- “When the missionaries came to Africa they had the Bible and we had the land. They said ‘Let us pray.’ We closed our eyes. When we opened them, we had the Bible and they had the land.” [Jomo Kenyatta – Kenya]
“The term Greek philosophy is a misnomer, for there is no such philosophy in existence. Ancient Egyptians had developed a very complex religious system, called the Mysteries, which was also the first system of salvation. As such, it regarded the human body as a prison house of the soul, which could be liberated from its bodily impediments through the disciplines of the Arts and Sciences, and advanced from the level of a mortal to that of a God.” [George G.M. James – Guyana]
- “We have dared to be free. Let us dare to be so by ourselves and for ourselves.” [Jean-Jacques Dessalines – Haiti]
- “I am not African because I was born in Africa but because Africa was born in me” … “If by their fruits we shall know them, they must first grow the fruits” … “The independence of Ghana is meaningless unless it is linked-up with the total liberation of the African Continent.” [Kwame Nkrumah – Ghana]
- “The cruelties of property and privilege are always more ferocious than the revenges of poverty and oppression.” [C.L.R. James – Trinidad]
- “Each generation must discover its mission, fulfill it or betray it” … “I am black; I am in total fusion with the world, in sympathetic affinity with the earth, losing my id in the heart of the cosmos – and the white man, however intelligent he may be, is incapable of understanding Louis Armstrong or songs from the Congo. I am black, not because of a curse, but because my skin has been able to capture all the cosmic effluvia. I am truly a drop of sun under the earth” … “In the World through which I travel, I am endlessly creating myself”… “Two centuries ago, a former European colony decided to catch up with Europe. It succeeded so well that USA became a monster in which the taints, the sickness and the inhumanity of Europe have grown to appalling dimensions.” [Frantz Fanon – Martinique]
- ”Throughout history, it has been the inaction of those who could have acted; the indifference of those who should have known better; the silence of the voice of justice when it mattered most – that has made it possible for evil to triumph.” [Haile Selassie – Ethiopia]
“In ancient times “African” and “Ethiopian” meant the same thing: A Black” … “no matter what the factual data were, all the books written about Blacks by their conquerors reflected the conquerors viewpoints” … “It appears that from time immemorial, stark greed, the desire for wealth, has overridden all humane considerations. Greed has served as a kind of anesthesia, deadening humane sentiments and breaking the bonds of affection that relates man to man.” [Chancellor Williams – USA]
“Whoever is in control of the hell in your life is your devil” … “Racists will always call you a racist when you identify their racism. To love yourself, now is a form of racism. We are the only people who are criticized for loving ourselves; and white people think when you love yourself you hate them. No, when I love myself they become irrelevant to me” … “Every single thing that touches your life, religious, socially and politically, must be an instrument of your liberation or you must throw it into the trashcan of history” … “After the rise and decline of Greek civilization and the Roman destruction of Carthage, they made one area of the conquered territories into a province which they called Africa… At first the word applied only to the Roman colonies of North Africa. There was a time when all dark-skinned people were called “Ethiopians.” [John Henrik Clarke – USA]
“Live life as though nobody is watching, and express yourself as though everyone is listening” … “One of the most difficult things is not to change society, but to change yourself” … “As we are liberated from our own fear, our presence automatically liberates others” … “Resentment is like drinking poison and then hoping it will kill your enemies” … “I never lose. I either win or learn” … “Fools multiply when wise men are silent” … “May your choices reflect your hopes, not your fears” … “Action without vision is only passing time, vision without action is merely day dreaming, but vision with action can change the world” … “Poverty is not an accident. Like slavery and apartheid, it is man-made and can be removed by the actions of human beings.” [Nelson Mandela – South Africa]
- “African unity and solidarity are no longer dreams. They must be expressed in decisions.” [Patrice Lumumba – Congo]
- “Decisions made in Washington are more important to us than those made here in Dar-es-Salaam. So, maybe my people should be allowed to vote in American presidential elections” … “In Tanganyika we believe that only evil, Godless men would make the color of a man’s skin the criteria for granting him civil rights” … “In Tanzania, it was more than one hundred tribal units which lost their freedom; it was one nation that regained it” … “African nationalism is meaningless, dangerous, anachronistic, if it is not, at the same time, pan-Africanism.” [Julius Nyerere – Tanzania]
- “While revolutionaries as individuals can be murdered, you cannot kill ideas” … “Imperialism is a system of exploitation that occurs not only in the brutal form of those who come with guns to conquer territory. Imperialism often occurs in more subtle forms: a loan, food aid, blackmail. We are fighting this system that allows a handful of men on Earth to rule all of humanity” … “The revolution and women’s liberation go together. We do not talk of women’s emancipation as an act of charity or out of a surge of human compassion. It is a basic necessity for the revolution to triumph. Women hold up the other half of the sky” … “Debt is a cleverly managed reconquest of Africa” … “It took the madmen of yesterday for us to be able to act with extreme clarity today. I want to be one of those madmen. We must dare to invent the future.” [Thomas Sankara – Burkina Faso]
- “If the choice were made, one for us to lose our sovereignty and become a member of the Commonwealth or remain with our sovereignty and lose the membership of the Commonwealth, I would say let the Commonwealth go.” [Robert Mugabe – Zimbabwe]
- “My father didn’t know his real name. My father got his name from his grandfather and he got his name from his grandfather and he got it from the slave master” … “You can’t hate the roots of a tree and not hate the tree. You can’t hate Africa and not hate yourself” … “The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses” … “There is no better than adversity. Every defeat, every heartbreak, every loss, contains its own seed, its own lesson on how to improve your performance the next time” … “I just don’t believe that when people are being unjustly oppressed that they should let someone else set rules for them by which they can come out from under that oppression” … “I believe in the brotherhood of all men, but I don’t believe in wasting brotherhood on anyone who doesn’t want to practice it with me. Brotherhood is a two-way street.” [Malcolm X – USA]
- “The problem of the twentieth century is the problem of the color line… One ever feels his two-ness – an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” [W.E.B. DuBois – USA]
- “[The] association of wealth with whites and poverty with blacks is not accidental. It is the nature of the imperialist relationship that enriches the metropolis at the expense of the colony i.e. it makes the whites richer and the blacks poorer” … “In reconstructing African civilizations, the concern is to indicate that African social life had meaning and value, and that the African past is one with which the black man in the Americas can identify with pride” … “The black intellectual, the black academic, must attach himself to the activity of the black masses” … “Beauty is in the very existence of black people.” [Walter Rodney – Guyana]
- “It is easier to build strong children than to repair broken men” … “What to the Slave is the 4th of July?” … “You have seen how a man was made a slave; you shall see how a slave was made a man” … “The soul that is within me no man can degrade” … “[on equal rights of women…] It was hers before she comprehended it. It is inscribed upon all the powers and facilities of her soul, and no custom, law or usage can ever destroy it.” [Frederick Douglass – USA]
- “Power which establishes a state is violence; the power which maintains it is violence; the power which eventually overthrows it is violence” … “Westerners have aggressive problem-solving minds; Africans experience people.” [Kenneth Kaunda – Zambia]
- “The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge & controversy” … “Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that” … “A riot is the language of the unheard” … “Injustice anywhere is a threat to justice everywhere” … “Be a bush if you can’t be a tree. If you can’t be a highway, just be a trail. If you can’t be a sun, be a star. For it isn’t by size that you win or fail. Be the best of whatever you are.” [Martin Luther King Jr. – USA]
- “A people without the knowledge of their past history, origin and culture is like a tree without roots” … “I have no desire to take all black people back to Africa; there are blacks who are no good here and will likewise be no good there” … “Emancipate yourselves from mental slavery, none but ourselves can free our minds” … “If we as a people realized the greatness from which we came we would be less likely to disrespect ourselves” … “The Black skin is not a badge of shame, but rather a glorious symbol of greatness.” [Marcus Garvey – Jamaica]
- “A Luta Continua!” [Eduardo Chivambo Mondlane – Mozambique]
African Liberation Day ~ 5/25 [re-post]
On May 25th (“5/25”) 2020, two recorded events made headlines in Africa’s northern Diaspora. Both were horrific in the degree to which they were racially-charged and played out from the standpoint of white privilege and callousness against black lives. One was a blatant attempt to provoke a potentially dangerous police-confrontation against an innocent bird-watcher (Christian Cooper) in New York’s Central Park; and the other which demonstrated that very potential when George Floyd lived his final 8m:46s under the knee of a Minneapolis police officer. 
Unfortunately, such horrific occurrences as these are not uncommon, and the long list of African victims goes back to the era of slavery whose evils live on and play out in toxic ways from that unexorcised and overly-policed space which nonetheless claims to be the land and home of the free and brave. Officially commemorated as Memorial Day, May 25th (in 2020) – the date of these occurrences and America’s unofficial start of summer – is, perhaps ironically, also observed as African Liberation Day… Read More
Mother of Humanity
Mother’s Day 1996 saw the unveiling of artist Nijel Binns’ 16-foot-tall bronze Mother of Humanity® monument [*]. It was built as a symbol of hope following the civil unrest, conflagration and riots in reaction to the televised beating of Rodney King by Los Angeles law enforcement officers in 1992. Since May 11th 1996, the MOH monument has been on permanent exhibit at the Watts Labor Community Action Committee – a civic center located at 10950 Central Avenue in Watts, California.
[ LINK TO: Mother of Humanity® Monument Documentary trailer ]
Binns says that his artistry in general is driven and informed by a need to conscientiously maintain and preserve the legacy of traditions “begun long ago in ancient Egypt.” 
As with its ancient African forbearers, the Mother of Humanity® monument uplifts and informs humanity through the principles symbolically portrayed in her design:
Reverence and respect for Mother Africa as the cradle of civilization is promoted by the symbolic outline of the continent of Africa that is contained within the shape of the Mother of Humanity® monument.
Humanity’s ascension towards a higher consciousness through inner vision is symbolized by the dot on her forehead which represents the pea-sized pineal gland located in the center of the human brain. This gland is responsible for the production of melanin, the substance that gives skin its color. Often called the “first [or] third eye” 
the outer marking on the forehead was symbolic in ancient cultures of higher spiritual light from within.
The feather in her right hand promotes peace, speaks truth, and guides with balance and righteous reciprocity – a constitution of divine order represented in ancient Egypt by Goddess Ma’at who wore the feather as her symbolic crown. Among the rituals associated with this feather was the weighing of the heart in the halls of judgment. If one lived a righteous life, their heart in one scale would be as light as Ma’at’s feather in the other scale of balance and justice.
Her open left hand is symbolic of a mother’s compassion, understanding and welcome towards the human family and all well-meaning sentient beings.
The bared right breast symbolically acknowledges the sovereign and natural resources of all mothers; of Africa as humanity’s original mother, and continent where the sacred Nile River represents Maziwa Mkuu – the Milky Way on earth as in heaven. Mother Africa has nourished all nations on earth, often through the external exploitation of her sovereign resources – be they human, natural, spiritual, or cultural…
The Mother of Humanity® monument’s left foot stepping forward symbolizes her having the heart and the courage to take strong, righteous, and fearless action. In the ancient Kemetic tradition, statues were crafted with the left foot going forward in alignment with the heart which is located on the body’s left side. Thus the symbolism is to stamp out chaos and evil [“Set” in Kemetic mythology] by marching – left foot forward in concert with the heart – as a warrior of truth and righteousness [Ma’at] throughout the world.
[*NB: The Mother of Humanity® name, images, and related indicia are registered trademarks of Nijart International, LLC. All rights reserved. CLICK on the picture of Nijel Binns to learn more about him as an artist.] HAPPY MOTHER’S DAY, 2021 ❤ ❤ ❤
Sheba’s Tribulation
Sheba – aka “Saba… Bilquis… Makeda… Shulamite… Queen of the South… & Queen of Heaven” – is a legendary and consequential African figure in Judeo-Christian, Islamic and Ethiopic texts which, along with cinematic portrayals of Sheba, have been curated by the patriarchal overseers and caretakers of religious mythologies. Yet, perhaps in the theological drive to assure Euro-matriarchs of the legitimacy of their crowns of racist conquest, biblical constructions of the “Queen of the South” displace the natal context which nonetheless validates Sheba’s significance as a personified symbol of Africa as “South” in relationship to its “North.” Of this organic space-time MA’ATrix God Djehuti asked: “Art thou not aware that Egypt is the image of heaven, or rather, that it is the projection below of the order of things above? If the truth must be told, this land [Africa’s Nile Valley] is indeed THE TEMPLE OF THE WORLD.”
Once upon an African space-time…
THE ANNUNCIATION. Inscribed within the walls of the throat area of Ipet-Resyt – the southern sanctuary of God Amun and Goddess Mut in Uaset, now called the Luxor Temple [Thebes] – is the depiction from 1350 BCE of Amun telling his beloved about the divine child and savior-figure she is to bear. The holy trinity they become with son Montu was celebrated in Opet, the annual days-long fertility festival which was staged between Ipet-Isut – their northern sanctuary, now called the Karnak Temple – and Ipet-Resyt. Opet coincided with the annual Lion’s Gate portal opening over African soil and the subsequent inundation of the sacred Nile River, 
which in itself represents the “Queen of the South” rising from humanity’s birthplace to bless dependent civilizations with the bounty of her ascension and northward flow.
This organic relationship between South and North had become more deeply enshrined in Kemet’s constitution when Pharaoh Menes aka Narmer unified Upper (South) and Lower (North) Egypt to begin the Early Dynastic Period in 3100 BCE. 
Called Sema Tawy, this unification was symbolized as a human trachea rising from the heart chakra being entwined by papyrus (North) & lotus (South). The Double Crown worn by pharaohs – called pschent or sekhemty (meaning the ‘Two Powerful Ones’) was in direct allegiance to this Heaven-ordained constitution. The South was represented by the white Hedjet crown, and the North was represented by the red Deshret. 
Menefer (now Memphis) was the capital of the unified kingdom during this period, and Ptah was the recognized deity.
By 2240 BCE when Amun had become the venerated deity, Uaset (now Thebes) had superseded Memphis as the capital of ancient Egypt. Ipet-Resyt and Ipet-Isut, the temples of worship for Amun and Mut, reiterated Sema Tawy’s eternal South-North bond within their very designations; corresponding locations; rituals during the annual festival of Opet;
and ANNUNCIATION in the throat area of the southern sanctuary. The ‘expectant’ stomach area of Ipet-Resyt architecturally depicts this temple as symbolizing humanity’s womb, and thus Goddess Mut as the matriarchal “Queen of the South” (SemaTawy lotus) with powers of birth and resurrection. “We came from the beginning of the Nile where God Hapi dwells, at the foothills of The Mountains of the Moon” [Hunefer Papyrus, 1275 BCE]
A GAME OF THRONES. Djehuti nevertheless prophesied a time when this Nile Valley “TEMPLE OF THE WORLD” would become “filled with strangers” and “widowed of the Gods.” As he lamented: “To thee I cry, O most sacred River, to thee I announce the coming doom!… 
Egypt, once the holy land beloved of the Gods and full of devotion for their worship, will become the instrument of perversion, the school of impiety...”
Though it’s not clear what point in time Djehuti’s fore-warnings specifically indicated, the impact of colonialism in Africa may be seen as an outcome of his prophecy. Britain played a significant role in the predatory exploration, exploitation and colonizing of humanity’s sacred womb [lotus/South] and Nile Valley Temple during Europe’s craven “Scramble for Africa” through ‘divide-and-rule’ parasitic arrangements following the 1884 Berlin Conference. The source of the White Nile is still named after Africa’s Victorian-era adversary (aka the grandmother of Europe) whose record 63-year rule [1837-1901] has been surpassed only by her great-great granddaughter, 
Britain’s current Queen Elizabeth II who has reigned since 1952 when a vast majority of the African continent was still under European colonial rule.
Sheba, Africa’s “Queen of the South” had become a female figure of consequence in the Judeo-Christian house of books, but constructed and weaponized to be used as a reprogramming tool to complete Europe’s colonization of African space-time following centuries of chattel slavery. The Gregorian calendar had created a global space-time reset around a Roman Catholic Annunciation
(via ‘Angel Gabriel’ to ‘Virgin Mary’). Appropriated from Ipet-Resyt in the “Temple of the World” following Judeo-Christian interpretations of ancient Egyptian Mysteries, the imperialist Euro-patriarchal narrative that was now reconstructed around the birth & crucifixion of one named ‘Jesus’ seemed designed to make “all roads lead to Rome.” Ironic then that Italy was unable to colonize Ethiopia, making this Africa’s oldest independent country.
The Queen of Sheba is first mentioned in I Kings 10:1-13 and II Chronicles 9:1-12 in the Old Testament [OT], when she travels to Jerusalem to visit Solomon (c. 965-931 BCE) – Israel’s king who had 700 wives “of royal birth” plus 300 concubines! Sheba comes to test the wisdom for which Solomon was famed. The OT book, Song of Songs, 
provides a different treatment of this visit in which Sheba, as the female protagonist, is referred to as the Shulamite – a term indicating that she was highly educated. The Shulamite doesn’t hesitate to put the Israelite king’s excess of creature comforts on blast (SoS 3:7-11), even as she seeks her own true beloved. Yet translations of this book have been overly exercised about her self-identifying as “black” [SoS 1:5-6]:
- “I am black and beautiful…” [Catholic NRSV]
- “I am black but lovely…” [NAS Bible 1977]
- “I am black, but comely…” [AKJV; ASV; Webster & Darby Bible; JPS Tanakh 1917; ERV]
- “I am dark but beautiful…” [NLT]
- “I am dark, but lovely…” [NKJV 2000; WEB; NETB; NHEB]
- “I am very dark, but lovely…” [ESV]
- “Dark am I, and comely…” [Young’s Literal Translation]
- “Daughters of Jerusalem, I am dark like the tents of Kedar, yet lovely like the curtains of Solomon…” [HCSB]
- “I am dark, O ye daughters of Jerusalem… desirable as the booths of Kedar, as the tents of Solomon…” [Jubilee Bible 2000]
Disavowing the Shulamite’s sense of her own sovereign value which they then try to attach to a fellow-white patriarch, biblical commentators have served up a similar range of misogynoir:
- The word “black” does not necessarily mean that the skin is black, but rather sunburnt, dark brown… the livid or swarthy appearance of one who has suffered long from famine and wretchedness. There is certainly no reason to take the word as an argument for the bride being Pharaoh’s daughter… She has been living in the fields, and is browned with the ruddy health of a country life… The country maiden feels the greatness of the honor, that she is chosen of the king… [Pulpit Commentary]
- …she was “black” in herself through original sin and actual transgression; in her own eyes, through indwelling sin, and many infirmities, spots, and blemishes in life; and in the eyes of the world, through afflictions, persecutions, and reproaches…: “but comely” in the eyes of Christ, called by him his “fair one”, the “fairest among women”, and even “all fair” through his comeliness put upon her, the imputation of his righteousness to her; through the beauties of his holiness upon her; through the sanctifying influences of his Spirit… being in a church state, walking in Gospel order… “desirable”(y) to Christ, and to his people. [Gill’s Exposition…]
SHEBA’S TRIBULATION. 
Zulu Sofola, the late Nigerian playwright and dramatist, once noted: “As a race, the most painful part of our experience with the western world is the ‘de-womanization’ of women of African descent. It is true that to successfully destroy a people, its female component must be first destroyed. The female gender is the center of life, the magnet that holds the social cosmos intact and alive. Destroy her and you destroy life itself.”
In the New Testament [NT], the “Queen of the South” is called by One who claims to be greater than Solomon (Matthew 12:42 & Luke 11:31) to bear witness during the Judgment. Then amidst the alarming scenes portraying this time of Judgment – including a 7-Year Tribulation period – in the Book of Revelation, Sheba is referred to as the “Queen of Heaven” [Rev. 12]… or is she now “Virgin Mary” in the apocalyptic fever of unexamined/unrepentant Gregorian guilt? Beyond the Bible, the narrative of Sheba subsequently made its way to the pages of the Quran (“Bilquis & Suleiman”), then to the work known as the Kebra Negast (“Glory of the Kings”). 
Written in 14th century Ethiopia, the Kebra Negast provides an account of the visit between Makeda (Sheba) and biblical King Solomon (son of King David) which, according to the book, resulted in the birth of a son named Menelik. Credited with bringing the Ark of the Covenant to Ethiopia, Menelik inaugurated the Solomonic Dynasty in the 10th century BCE which lasted up until the coup d’état against then leader Emperor Haile Selassie I in1974 CE. 
To this day, Emperor Haile Selassie [d. 8/27/75] – born Tafari Makonnen Woldemikael – is hailed by Rastafarians throughout the world as the Lion of the Tribe of Judah according to their own biblical reasonings.
During his life, Selassie followed the teachings of the Ethiopian Orthodox Tewahedo Church which include observance of the ancestral calendar that is a sabbatical 7-year period in arrears of the upstart Gregorian calendar. Saba (“7” in Swahili – also see sabbath), is a variant of “Sheba.” 
According to expert scholars, the critical difference between the two religious calendars has to do with their divergent calculations and understanding regarding THE ANNUNCIATION originally recorded in the throat area of Ipet-Resyt [click picture for video: link @ 1:17:20]. Perhaps tensions between these conflicting timelines is Revelation’s 7-year Great Tribulation? Perhaps Africa’s spiritual roads will yet lead humanity out of bondage from subjection to false, alienating controlling narratives and back to holistic consciousness of the organic and sovereign MA’ATrix of the Temple of the World? Amun… Blessed Be ❤ ❤ ❤
“… a mirror …”
❤ ❤ ❤
Per-Ankh: House of Life, Love, Light…
Per-Ankh were learning centers attached to the temples of ancient Egypt where, under the leadership of god Djehuti, knowledge was considered organic and sacred. The hieroglyph for per-Ankh (an open square over the ankh “key of life” symbol) spells out its meaning as “House of Life.” It was at these houses of life in Kemetic temples where scribes learned to preserve and disseminate knowledge through the sacred craft of hieroglyphics (meaning ’holy writing’) created by Djehuti. Run by Priests or Servants of creator god Amun-Re, the per-Ankh was where Djehuti’s writings were housed and where sacred knowledge (representing his vast understanding of the universe) would initiate seekers into higher levels of consciousness. Djehuti characterized their ancient African homeland as the Temple of the World, which spoke volumes about the sacredness of the Life, Love, and Light that arose from humanity’s cradle. This erstwhile dwelling place of the gods in the ancient Nile Valley became the original theater within which the archetypes and mythoforms that continue to play out on the human stage were constituted. 
Djehuti, who himself is a template of the Magician archetype of divine masculinity was represented in the divine feminine by Goddess Seshat. Among her many attributes, Seshat held the prestigious title of Foremost of the Per-Ankh and was regarded throughout ancient Egypt as Goddess of Wisdom, Writing, Mathematics, Astronomy, Astrology, as well as Goddess of Architects and Builders. 
This 13th century BCE relief of Seshat comes from the back of the throne of a seated statue of Ramesses II in Ipet Resyt, the “southern sanctuary” of God Amun-Re and Goddess Mut. Known today as Luxor Temple, the architecture of Ipet Resyt was designed as if to resemble a human figure lying in repose on her back. 
Given the Annunciation account on the walls within the ‘throat’ area of this Temple where God Amun tells his beloved that she will bear the sacred child who is humanity’s Savior, it is fair to interpret the raised ‘stomach’ area as an architectural depiction of her womb with child. 
This sacred prophecy was ritualized in the Feast of Opet, a festival celebrating the Nile floodwater’s annual restoration of Egypt’s fertility with a grand procession from Ipet Isut (the “most select place” and northern sanctuary of Amun/Mut – now Karnak). Statues of Amun-Re, Mut, and son Montu were borne in barques from Ipet Isut to Ipet Resyt in this holy fertility rite and days-long public festival.
Similar to this annual Feast of Opet that was staged between the southern and northern sanctuaries of God/dess consorts Amun-Re/Mut was the ‘Beautiful Feast of the Reunion’ (Hab Nefer en Sekhen) between Goddess Hathor and consort Heru. The name Hathor [Hwt-Hr], meaning ‘mansion of Heru,’ became fully illumined through the annual fertility rituals surrounding her conjugal visit and Reunion Feast with Heru. This visit entailed Hathor’s enshrined icon being sailed upstream on the Nile River from Dendera (her Temple) to Edfu, accompanied by a mixed cadre including priests of the goddess, largely numbered by musicians and other creatives. 
Much celebration accompanied Hathor’s arrival in Edfu, including offerings of myrrh, aromatics, and systrums (Hathor’s sacred instrument) as well as hymns encouraging her to unite with “He of Dappled Plumage” – Heru. Harvest-related elements included offerings to the divine ancestors; the ritual harpooning of a red hippopotamus representing enemies of the state (aka Set); and the release of four geese (Hathor’s sacred bird) on the second day of the feast to bear the news that Heru had received the Double Crown.
The Double Crown, called pschent or sekhemty (the ‘Two Powerful Ones’) was worn by ancient Egyptian leaders to symbolize the unification between South/Upper and North/Lower kingdoms. The white Hedjet and red Deshret crowns represented South and North respectively. From the Double Crown’s symbolism, one may extrapolate the ‘Two Powerful Ones’ as representing a productive unification between the Divine Feminine and Masculine, as symbolized in the ankh. 
Indeed, following the close of the Edfu festivities, Hathor would travel back to Dendera to symbolically give birth to her child with Heru who came to be celebrated as God Ihy, portrayed as a naked systrum player, or alternatively as Heru-Sema-Tawy.
Sema (“Speak/Say!” in Swahili) means ‘to unify,’ & Tawy means ‘the Lands.’ Ancient Egypt’s Early Dynastic Period [c3150-2613 BCE] began with the unification of South/Upper and North/Lower Egypt under Pharaoh Menes aka Narmer in 3100BCE. This unification was further symbolized as a human trachea rising from the heart chakra entwined with the lotus (South) and papyrus (North). The Double Crown therefore represented a leader’s consciousness of and willingness to uphold the constitutionality of that arrangement during their rule. Narmer‘s was the first of 30 successive dynasties which ruled and maintained civil order through a centralized government from the unified ancient Egyptian capital of Memphis. During this period of time, Ptah was the revered deity.
Ma’at – who represents Divine order, truth, balance, morality, judgement, justice, reciprocity and reparations – is the Goddess of the ancient Constitution that came in with the South-North union. Ma’at’s Principles from the Papyrus of Ani (1250 BCE) represent humanity’s oldest source of moral instruction, predating the Judeo-Christian 10 Commandments and forming the basis by which souls of the departed are weighed against her feather in the Halls of Judgment. In the mythology of Auset, Ausar, and their posthumously-conceived son Heru, it was Ma’at who decreed Heru as the rightful heir to the throne of ancient Egypt after Heru’s several battles to depose Set. 
Set had originally usurped the throne following his jealousy-fueled murder and mutilation of Egypt’s popularly acclaimed King Ausar.
As God of the desert, chaos, disorder, violence & foreign oppressors, Set represents the very forces of darkness Ma’at counteracts in both our personal and societal constitutions. Sema-Tawy represents the social constitution of Djehuti’s Temple of the World – a South-North pact which was thrown into chaos and darkness within the African context via Set’s enterprises of slavery, colonialism, apartheid, etc. 
But Set had also been consumed with jealousy over how brilliantly the union of Ausar and Auset became reflected in their popular rule over the heaven-on-earth kingdom of ancient Egypt. The constitution of their uniquely divine relationship was the archetypal model for Sema-Tawy, the South-North pact of the Temple of the World which further triggered the “god of chaos…”
This triggering is echoed in America’s current grappling with existential questions surrounding its own history, South-North dynamics, collective identity, and desire to still be regarded as the world’s beacon of light and democracy. And yet again, Ma’at is caught in the constitutional contendings or crosshairs of “Heru” versus “Set” within this American theater of Africa’s northern hemisphere – a riveting production of “Egypt on the Potomac” to borrow from Dr. Anthony T. Browder. Several thought-provoking proverbs from Ipet Resyt [Amun-Re and Mut’s southern sanctuary] come to mind under the present circumstances, including:
“A phenomenon always arises from the interaction of complementarity. If you want something, look for the complement that will elicit it. Set causes Heru. Heru redeems Set.”
America’s tkhn-replica known as the Washington Monument (built 1848-1884 by enslaved Africans) is barely understood by most as an architectural representation of the 14th piece of Ausar’s mutilated body which Auset was unable to find on her search-and-recovery mission through the “diaspora” created by Set’s bloody coup of heaven-on-earth. 
At times acting as a literal lightning rod, this tkhn-replica stands at the crossroads of a geographic crucifix: US Capitol to the east; Lincoln Memorial to the west; Jefferson Memorial to the south; and White House to the north. 
What also fascinates me is the symbolism of the National Museum of African American History & Culture, which opened in 2016 and now stands side-by-side with this tkhn, as if to testify to… what? All roads lead to reconstitution of that which was divinely-ordained?
What light might the per-Ankh shed from its Temple of the World into Africa’s South-North global space-timeline? Perhaps Goddess Seshat is the designated beacon of light as Foremost of the per-Ankh… She of 7 Points… Opener of Heaven’s Door… her attributes echoed in America’s Statue of Liberty. Much to the surprise of many, this colossal iconic symbol which stands in the New York Harbor was built to commemorate the end of American slavery in the northern hemisphere of African space-time. Clearly much got buried in the Euro-patriarchal translation of Lady Liberty’s signification and presentation which brings into question the sincerity of the original intent. As with the strategic use of ancient Egyptian iconography by the image industry in yet another American power center, hearts and minds become manipulated and shaped by the agendas of those who wield power through the predatory use of resources from Africa’s Temple of the World. 
But perhaps such agendas via the industry’s manufactured and manipulative controlling narratives are how “Set causes Heru,” per the proverb?
The script must flip back to its original sacred intent as the Goddess of the South rises from Ipet Resyt, &/or when we as individual embodiments of the per-Ankh awaken to our higher free-quencies of life, love & light. Amun… UbuNtu… Blessed Be ❤ ❤ ❤
Malaika Mutere 