“Waltz” is a late 18th century word of German extraction from walzen, a verb meaning ‘revolve.’ In its present-day usage, waltz may refer to a partnered ballroom dance in 3/4 musical time which is typically guided by the masculine, while his feminine partner revolves around him by following his cues. Ancient Africans, including the Dogon of Mali,
saw a similar partnership in the binary Sirius star system of the constellation Canis Major [‘Greater Dog’] where the fainter Sirius B ‘white dwarf’ star revolves around Sirius A – the brightest star in our night sky, which ancient Egyptians referred to as Sopdet and regarded as their Spiritual Sun – around which planets revolve. 
They associated Sopdet with Auset [“Isis/Venus”] – Divine Feminine consort to Ausar [“Osiris/Orion/Pluto”], Divine Masculine counterpart to Her Soul. And within the Great Pyramid of Giza, there are shafts leading outwards from separate Queen & King’s Chambers which cyclically come into the most pristine orientation to their respective stars [Sopdet & the Hunter’s Belt] in a simultaneous occurrence that activates the annual opening of the Lion’s Gate Portal
. The ensuing flooding of the sacred Nile River in concert with the Divine Alignment of God/dess Ausar/Auset created an annual season of blessing & abundance for all in the African Temple of the World [per God Djehuti] and traditionally celebrated as the Egyptian New Year.
In present-day parlance, God/dess Ausar/Auset would be regarded as the prototypical Twin Flame – the One Soul in its Divine Feminine & Masculine expressions that became central to ancient Mythologies from the African lands which God Djehuti referred to as The Temple of the World. The brilliance of this couple’s union that was reflected in their popular reign over the Heaven-on-Earth kingdom of ancient Egypt consumed antagonist Set with a jealousy so fierce that it drove him to murder King Ausar and mutilate his body into 14 pieces which he scattered in the wilderness [African Diaspora] as he usurped the Egyptian throne. Now widowed, Queen Auset had to search this wilderness for her Twin Counterpart’s remains in order to mummify his body. The Mythology says that Auset was able to recover and mummify only 13 pieces. 
The 14th piece, representing Ausar’s stolen manhood, stands architecturally in various 3D spaces – Uaset/Luxor | Cairo | Istanbul | Rome | Paris | London | New York – as Tkhns. America’s Washington Monument is a white marble Tkhn replica… one of several reminders (stolen originals &/or unattributed replicas)
around the western world of Set positioning himself as Conqueror & Savior throughout the receding Age of Pisces.
Set waltzed into African spaces as the egoic Euro patriarchal god of chaos, foreign usurpers, & plague that he’s known for in the Mythology of Ausar & Auset – Divine Ancestral Hunter-&-Gatherer of Africa’s ancient [BCE] Temple of the World. The “Gutenberg Revolution“ [mid-1400’s CE] which spawned the western age of printed books, blurred the lines between biblical storying, proselytizing, & mass propaganda as a tool to build an elitist Euro patriarchal matrix/world order through forced compliance under the brutal conditions of slavery [1690-], (neo)colonialism [1884-], apartheid [1945-] etc. 
Astronomer Carl Sagan notes that in the Greco-Roman-Christian world which defined the waning Age of Pisces, “The permanence of the stars was questioned. The justice of slavery was not.” This may explain why a badly aged Set, unwilling to relinquish control of the narrative, now strives to usurp the role of the true Water Bearer of humanity’s dawning Aquarian Age. Also referred to as “The Golden Age,” this New Age is characterized by collective responsibility, creativity, empathy, & harmony with nature – traditional and matriarchal value-systems referred to in humanity’s Motherland as ubuNtu 
– “I Am, because We Are.” Aboriginal traditions around the world convey similar humane precepts in their cultural practices as they too honor the Divine Feminine in her unique unity-conscious role as Water Bearer & Life-Bringer/Nurturer.
Ausar-Auset’s mythology as the Hunter-Gatherer Soul Composite torn apart physically by Set’s egoic jealousy, is a narrative borne of the ancient Goddess/Matriarch & original Water Bearer, Nut – mother of 4, including Nephthys. 
These god/dess figures She birthed represent concepts which facilitate deeper understanding of the Mysteries at play in Humanity’s Universe where Set is the antagonistic presence of dark matrix forces that must be overcome in our human journeying. Physically, Nut is artistically depicted as either a literal Water Bearer with a clay pot atop her head in traditional African fashion, or as the starry night sky arched over the Earth, upon which her husband Geb is God. Nestled within Nut’s night sky is Ausar’s Hunter constellation [Gr. Orion] as well as Sopdet [Gr. Sirius], representing Auset as Humanity’s Spiritual Sun. Together, they reflect the resplendence of The One Core Soul which triggered Set with a jealousy so blinding that his divided-&-traumatized 3D wilderness of African space-time (represented in myth as/by Ausar’s mutilated body parts) thereafter become the haunting/karma of this usurper of Humanity’s Heaven-on-Earth nucleus. As the Piscean Era closes, Auset’s Search-&-Recovery path & mission through Set’s “wilderness” remains in play 
as Humanity’s Great Mystery and Unfinished Business. Together, Auset-Ausar hold the Heart-centered, Unity-conscious free-quency of ubuNtu which has customarily caused the reassuring annual Nile flooding within The World’s Temple 
while Humanity’s Consciousness itself (r)evolves out of Set’s stale 3D matrix program. As Divine Counterparts purge, heal, & rekindle themselves, Humanity’s Lion Resurrects in his organic rhythm-&-flow with Sopdet’s 5D+ Ascension – Auset’s Waltz of the One Soul – into their wholly fresh Aqua Era… Age of UbuNtu/Ma’at… “BaNtu Waltz…” ❤ ❤ ❤
Who is this that cometh up from the wilderness, leaning upon her beloved? I raised thee up under the apple tree: there thy mother brought thee forth: there she brought thee forth that bare thee. Set me as a seal upon thine heart, as a seal upon thine arm: for love is strong as death... [excerpt SoS 8 KJV]
“A House has the Character of the Man who Lives in it… Envious greed must govern to possess and ambition must possess to govern… When the governing class isn’t chosen for quality it is chosen for material wealth: this always means decadence, the lowest stage a society can reach… In every vital activity, it is the Path/Free-quency that matters.” ~Proverbs from Ipet-Resyt [“Southern Sanctuary”] of God Amun & Goddess Mut
❤ ❤ ❤ Blessed Be ❤ ❤ ❤
P.S. I am excited to announce that “BANTU WALTZ” – my work of Creative Nonfiction & Winner of the Bharti Kirchner OTHER VOICES [SFWC] Award – is now in release!!! To READ MORE, see/give REVIEWS + PEEK INSIDE “BaNtu Waltz,” click THIS LINK or the image above. 😊 ~ 🪘🪘🪘 NOW ALSO AVAILABLE @ BLACK BOOKS PLUS 🪘🪘🪘 & UMOJA HOUSE 🪘🪘🪘 As Always, Your Continued Support is Greatly Appreciated. 🙏🏽Asante Sana… Thank You! ☮️ M
Malaika Mutere 
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