The Beautyful Ones…
The Beautyful Ones Are Not Yet Born, Ayi Kwei Armah’s debut novel (published in 1968), owes its title to the misspelled inscription on a bus in Ghana where the story is set. It opens during the final months in… Read More
The Beautyful Ones Are Not Yet Born, Ayi Kwei Armah’s debut novel (published in 1968), owes its title to the misspelled inscription on a bus in Ghana where the story is set. It opens during the final months in… Read More
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Earth Wind & Fire (EWF) is undoubtedly one of the greatest bands of all time, as their claim to three of the four natural elements suggest they should be! Hits like In the Stone provide EWF fans an… Read More
Following 2019 – the “Year of Return” marking the 400th anniversary since enslaved Africans first set foot in the Americas at Jamestown, VA in 1619 – 2020 has evolved as an iconoclastic year, following the horrific murder-by-police of… Read More
2019 marks a historic realignment and opens the door to healing in Africa’s collective soul and consciousness. Slavery’s cruel time-portal, symbolized by the “door of no return” on the western shores of the continent, has in 2019 become… Read More
“Only the black woman can say ‘when and where I enter, in the quiet, undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole …race enters with me.’” [Anna J…. Read More
“We came from the beginning of the Nile where God Hapi dwells, at the foothills of The Mountains of the Moon” ~ is, according to scholars, a declaration in The Papyrus of Hunefer, which was a copy of… Read More
“Towards a Transformation Communication Theory: UbuNtu, Prince, and the Oral-Aesthetic Perspective” was recently published in The Journalist SA. To read the article, click here: http://www.thejournalist.org.za/academic-papers/towards-a-transformation-communication-theory-ubuntu-prince-and-the-oral-aesthetic-perspective
ABSTRACT ~ This article supports scholarly findings that Bantu traditions are among the strongest civilizing forces in the United States. Positing pop music as a paradigm of proof, the author argues for a cultural decolonization and corrective understanding… Read More